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Cruelty is a mystery, and a waste of pain.
Annie Dillard
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Annie Dillard
Age: 79
Born: 1945
Born: April 30
Author
Essayist
Novelist
Poet
University Teacher
Writer
Pittsburg
Pennsylvania
Annie Dillard Doak
Cruelty
Waste
Mystery
Pain
More quotes by Annie Dillard
What is important is the moment of opening a life and feeling it touch--with an electric hiss and cry--this speckled mineral sphere, our present world.
Annie Dillard
Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.
Annie Dillard
Experiencing the present purely is being empty and hollow you catch grace as a man fills his cup under a waterfall.
Annie Dillard
By dipping us children in the Bible so often, they hoped, I think, to give our lives a serious tint, and to provide us with quaintly magnificent snatches of prayer to produce as charms while, say, being mugged for our cash or jewels.
Annie Dillard
Those of us who read carried around with us like martyrs a secret knowledge, a secret joy, and a secret hope: There is a life worth living where history is still taking place there are ideas worth dying for, and circumstances where courage is still prized.
Annie Dillard
The novel is a game or joke shared between author and reader.
Annie Dillard
The mind itself is an art object ... The mind is a blue guitar on which we improvise the song of the world.
Annie Dillard
The sea pronounces something, over and over, in a hoarse whisper I cannot quite make it out.
Annie Dillard
poetry has been able to function quite directly as human interpretation of the raw, loose universe. It is a mixture, if you will, of journalism and metaphysics, or of science and religion.
Annie Dillard
The mind wants the world to return its love, or its awareness the mind wants to know all the world, and all eternity, and God.
Annie Dillard
When you write, you lay out a line of words. The line of words is a miner's pick, a wood carver's gouge, a surgeon's probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year.
Annie Dillard
Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles.
Annie Dillard
Are you living just a little and calling that life?
Annie Dillard
It is difficult to undo our own damage, and to recall to our presence that which we have asked to leave. It is hard to desecrate a grove and change your mind. The very holy mountains are keeping mum. We doused the burning bush and cannot rekindle it we are lighting matches in vain under every green tree.
Annie Dillard
What I call innocence is the spirit's unself-conscious state at any moment of pure devotion to any object. It is at once a receptiveness and total concentration.
Annie Dillard
One of the few things I know about writing is this: Spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book, give it, give it all, give it now.
Annie Dillard
No child on earth was ever meant to be ordinary, and you can see it in them, and they know it, too, but then the times get to them, and the wear out their brains learning what folks expect, and spend their strength trying to rise over those same folks.
Annie Dillard
These are our few live seasons. Let us live them as purely as we can, in the present.
Annie Dillard
I don't know what it is about fecundity that so appalls. I suppose it is the teeming evidence that birth and growth, which we value, are ubiquitous and blind, that life itself is so astonishingly cheap, that nature is as careless as it is bountiful, and that with extravagance goes a crushing waste that will one day include our own cheap lives.
Annie Dillard
Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case. What would you begin writing if you knew you would die soon? What could you say to a dying person that would not enrage by its triviality?
Annie Dillard