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I hope I'm not implying role of contemporary poet for myself, although there's a kind of resonant paradigm. It's traditionally a difficult role.

Anne Waldman

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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Poet
Roles
Resonant
Hope
Implying
Difficult
Traditionally
Kind
Paradigm
Contemporary
Although
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More quotes by Anne Waldman

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I think anything that gets people outside [is good] - I'm a big supporter of public parks and public spaces.
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We pride ourselves at Natrona - I mean, pride {ironically] - on developing a noncompetitive community. That's very important. The values that can come from that kind of meditative work combined with the creative work you do, combined with your activism, can come together.
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I grew up in New York City in Greenwich Village and had parents who were somewhat bohemian so I was always on the nonconformist side of the equation.
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I was not ever hitchhiking alone. I've done solo train trips but I've never driven myself alone.
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My older brother was involved in the folk movement. We would gather every weekend in Washington Park. The folk songs were so important to my reality.
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For me there is a poesis, a poetics, around the trope of the road that is embedded within many life experiences of the people I've been close to.
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Any technology is just a skillful means and it's how you use it.
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My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.
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My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
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I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
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Myths, by their definition, involve transformations, struggles through various worlds or layers of reality and of obscuration.
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We humans need to do better with our vast minds and alchemical powers. Future radial poetries might be more symbiotic with the rest of consciousness.
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I was going to public school in the post-World War II, the grey doldrum years. But I was in this extraordinary environment of Manhattan, of Greenwich Village, of bohemian parents.
Anne Waldman
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For me poems are acts re-done, and that can vibrate well into the future.
Anne Waldman
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Your compassion travels beyond your own inner circle. And then you breathe out an alternative version where you mentally and emotionally and psychologically purify the poisons. So indeed, the generative idea is in the crux of this practice and of my propensity toward poetry, which is a practice of the imagination.
Anne Waldman
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There are energies that reside in each phone and phoneme. And we can release them.
Anne Waldman
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I think for me in terms of this kind of dichotomy you have to hold the sense of negative capability in your mind - which is Keats line about being able to hold two different ideas 'without any irritable reach after fact or reason.'
Anne Waldman
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My father shared the ethos of many of the beat writers and was a friend of Allen Ginsberg. Probably for 25 years of my father's life, He had been an itinerant piano player and so traveled the road with bands and that sort of thing.
Anne Waldman
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Idea that all the beats are wildly liberal and progressive is ridiculous. You have people thinking for themselves and having certain affinities because of their upbringing and who their family are, their own people who were close to them who fought in these wars and so on. It's complicated. But they had that ability to continue the conversation.
Anne Waldman
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What I'm after is that wakeful state through language that stays alive.
Anne Waldman