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There's a numbness in our culture to the continuing horrors of genocide.

Anne Waldman

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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Numbness
Horrors
Genocide
Continuing
Horror
Culture

More quotes by Anne Waldman

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My teachers were often very eccentric.
Anne Waldman
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Idea that all the beats are wildly liberal and progressive is ridiculous. You have people thinking for themselves and having certain affinities because of their upbringing and who their family are, their own people who were close to them who fought in these wars and so on. It's complicated. But they had that ability to continue the conversation.
Anne Waldman
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We still have our larynx, we still have our minds and we still have our consciousness. We still have this gift to make things with words and images and get outside these preordained tropes and ways of thinking and the master narratives - what's handed to us.
Anne Waldman
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I think anything that gets people outside [is good] - I'm a big supporter of public parks and public spaces.
Anne Waldman
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My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.
Anne Waldman
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Personally there is first: imagination second: the act of writing - and third: the act/act of vocalizing.
Anne Waldman
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Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music.
Anne Waldman
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There are energies that reside in each phone and phoneme. And we can release them.
Anne Waldman
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I am a self-appointed ambassador for poetry.
Anne Waldman
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The beat literary movement is strong because of those very challenging and individual relationships and styles and contention and so on. So I just feel blessed by this kind of opportunity that came from it. It was a kind of seed.
Anne Waldman
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I was raised with a sense of democratic vistas and egalitarianism.
Anne Waldman
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Certainly the beat writers I've known who carried forward the original, you know, I'd say that came together in the 1940s and 50s. So I was inheriting in a way some of that ethos.
Anne Waldman
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I like the idea of the object, the relic. And I see it as a time machine too or a device you plug into a socket that activates a sound and light show.
Anne Waldman
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How infuriating it is to be continually born to war that continues one's whole lifetime, even as one protests it - what futility. It is perhaps a more public epic in this regard, and carries a ritual vocalization.
Anne Waldman
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I don't think it is as a trope or as something in our psyches. There's very little wilderness out there but there is wild mind, and the Wild mind that actually, as Gary Snyder says, wants to take care of things. There's an elegant quality to the wild mind.
Anne Waldman
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The sense of the preciousness of the body - vehicle for poetry.
Anne Waldman
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What I'm after is that wakeful state through language that stays alive.
Anne Waldman
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We had much more imagery from Vietnam war. The media was not controlled. The storyline, the master narrative was not controlled. I thin it was some those images really radicalized people and shifted things to some extent. And the Viet Cong also, their tenacity.
Anne Waldman
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My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
Anne Waldman
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The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
Anne Waldman