Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
Poets have to keep pushing, pushing, against the darkness, and write their way out of it as well.
Anne Waldman
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Writing
Poets
Way
Pushing
Poet
Darkness
Write
Keep
Wells
Well
More quotes by Anne Waldman
I was raised with a sense of democratic vistas and egalitarianism.
Anne Waldman
I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
Anne Waldman
There's a kind of training, when you are sitting in a session in the Japanese tradition or any of the Buddhist traditions, taking your lotus posture or whatever it is. That's what you're doing.
Anne Waldman
My father shared the ethos of many of the beat writers and was a friend of Allen Ginsberg. Probably for 25 years of my father's life, He had been an itinerant piano player and so traveled the road with bands and that sort of thing.
Anne Waldman
The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
Anne Waldman
The music is notated first, the text follows. I might have to wait until the right kind of text or form arises. I often see the poems as “scores.”
Anne Waldman
I remember being caught in this earthquake in Mexico City and having a sense of people coming before me, of being part of this lineage. I felt similarly when I went to India and South America.
Anne Waldman
My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.
Anne Waldman
What I'm after is that wakeful state through language that stays alive.
Anne Waldman
We had much more imagery from Vietnam war. The media was not controlled. The storyline, the master narrative was not controlled. I thin it was some those images really radicalized people and shifted things to some extent. And the Viet Cong also, their tenacity.
Anne Waldman
The dichotomies, the brokenness of the culture around things like the Vietnam war, and then a lot of it has to do with war and where we put our energy and money and attention. And the military industrial complex, which dominates our whole economy. Even with the vision of democracy in other places we know the dark side.
Anne Waldman
This will be a good time for poetry, you know, when things get darker and stranger and your very speech is being questioned and the sense of trusting that human thing.
Anne Waldman
My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
Anne Waldman
I think Visions of Cody is the most radical book in terms of poetic stretch and the way Jack Kerouac is able to incorporate documentation and incorporate the live tape recording of Neal and so on.
Anne Waldman
If you can integrate your life to have a kind of meditative practice that is considering others.
Anne Waldman
You really felt a radical shift in the advance of a poetics that had really been engendered by [Walt] Whitman. This was very exciting. I wanted to work in this environment.
Anne Waldman
When I look at my life there are these streams, these things that have continuity from the fifties to now.
Anne Waldman
Allen's [Gisberg] loyalty to his friends was extraordinary. And as he was dying he was calling people: What can I do for you before I die? Do you need money? What can I do?.
Anne Waldman
When I got back to NY had the opportunity to work with the beginning years of the poetry project which was founded with money from the OEO under Lyndon Johnson to work with alienated youth on the lower East side. This was extraordinary, to be able to help then to create a culture that would capture the energy that I felt at Berkley.
Anne Waldman
I hope I'm not implying role of contemporary poet for myself, although there's a kind of resonant paradigm. It's traditionally a difficult role.
Anne Waldman