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How infuriating it is to be continually born to war that continues one's whole lifetime, even as one protests it - what futility. It is perhaps a more public epic in this regard, and carries a ritual vocalization.

Anne Waldman

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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Lifetime
Futility
Regard
Epic
Perhaps
Carries
Public
Continually
Born
Carrie
War
Continues
Whole
Ritual
Infuriating
Even
Protest
Protests

More quotes by Anne Waldman

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I had parents who were attentive to what was going on politically. There was the Greek connection, a sense of a larger world. People coming in from abroad. There was a sense of community around ideas: a discourse and an adhesiveness which is my favorite word from [Walt] Whitman.
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The sense of traveling this continent, also other continents. The friendship.I would say a non-competitive friendship. That is so amazing to me.
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World War II synchronizes things for a lot of people. There's a kind of wakeup call.
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Obviously, if I'm reading in Vienna or Venezuela or Italy, there's the issue of language, and I will make choices that are more sound oriented. Or I'll try to incorporate those languages and occasions somehow.
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What I'm after is that wakeful state through language that stays alive.
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I like the idea of the object, the relic. And I see it as a time machine too or a device you plug into a socket that activates a sound and light show.
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There's a kind of training, when you are sitting in a session in the Japanese tradition or any of the Buddhist traditions, taking your lotus posture or whatever it is. That's what you're doing.
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I still had to correct Allen Ginsberg at times when he called women girls. I'd say. Allen please, it's not politically correct.
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As a woman I have felt encouraged and fed by and nurtured by the work of [Jack] Kerouac and others.
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Any technology is just a skillful means and it's how you use it.
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Certainly the beat writers I've known who carried forward the original, you know, I'd say that came together in the 1940s and 50s. So I was inheriting in a way some of that ethos.
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A lot of my father's generation were thinking about communism and had deep liberal and progressive connections. He never admitted whether he was a card-carrying communist party member but I think its possible.
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The formal stuff feels old and windy. Not to say you shouldn't know prosody. But it's a wonderful time for exploratory poetics. Contemporary poets are inventing all kinds of wild, complex shapes for poetry, as we see. It's a wonderful time, less ego-centered.
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As a younger person you can come in through many, many gateways. It's like some huge Mandela. You can enter into this and get refreshed.
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You really felt a radical shift in the advance of a poetics that had really been engendered by [Walt] Whitman. This was very exciting. I wanted to work in this environment.
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My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.
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