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How infuriating it is to be continually born to war that continues one's whole lifetime, even as one protests it - what futility. It is perhaps a more public epic in this regard, and carries a ritual vocalization.
Anne Waldman
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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Public
Continually
Born
Carrie
War
Continues
Whole
Ritual
Infuriating
Even
Protest
Protests
Lifetime
Futility
Regard
Epic
Perhaps
Carries
More quotes by Anne Waldman
No one begs you to be a poet or write a 1000-page poem. You have to be fueled by a drive, a conviction - a need, a necessity, a vision that is so pressing that it has no other outlet but through you. That doesn't mean that you are unconscious or in trance, but there can be moments like that.
Anne Waldman
Personally there is first: imagination second: the act of writing - and third: the act/act of vocalizing.
Anne Waldman
Your compassion travels beyond your own inner circle. And then you breathe out an alternative version where you mentally and emotionally and psychologically purify the poisons. So indeed, the generative idea is in the crux of this practice and of my propensity toward poetry, which is a practice of the imagination.
Anne Waldman
I invoke that sense of the particulars of that kind of literal travel and what that has meant historically in terms of diasporas, in terms of the migrations of immigrants coming to this [U.S.] country with a real vision of finding the promised land.
Anne Waldman
The color red is symbolic of passion and action, so this Vajrayogini, as she's called, comes with a mantra and she comes with these various weapons and accouterments that are all symbolic of the kind of activity that this principle, as it were, this psychological principle, does or activates in the world. And there's text and mantra as well.
Anne Waldman
Allen's [Gisberg] loyalty to his friends was extraordinary. And as he was dying he was calling people: What can I do for you before I die? Do you need money? What can I do?.
Anne Waldman
I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
Anne Waldman
I was going to public school in the post-World War II, the grey doldrum years. But I was in this extraordinary environment of Manhattan, of Greenwich Village, of bohemian parents.
Anne Waldman
I think of the amazing things that were going on. So it's so rich. The doors keep opening.
Anne Waldman
Obviously, if I'm reading in Vienna or Venezuela or Italy, there's the issue of language, and I will make choices that are more sound oriented. Or I'll try to incorporate those languages and occasions somehow.
Anne Waldman
I hope I'm not implying role of contemporary poet for myself, although there's a kind of resonant paradigm. It's traditionally a difficult role.
Anne Waldman
There is a pretty interesting document called 'action writing.' Which is not all about spontaneity and first thought, best thought,' but a certain kind of attention to the smallest increments of the phonemes of language, The kind of power of connection, what he is able to do with language.
Anne Waldman
The sense of the preciousness of the body - vehicle for poetry.
Anne Waldman
I took my vow to poetry this is where I'm going to be. These are my people this is my tribe. This is where I'm going to put my energy.
Anne Waldman
Contemporary movies just drive me crazy. The violence and the sentimentality and the spiritual materialism and Theism and the incredible indulgence in ignorance is so claustrophobic.
Anne Waldman
We had much more imagery from Vietnam war. The media was not controlled. The storyline, the master narrative was not controlled. I thin it was some those images really radicalized people and shifted things to some extent. And the Viet Cong also, their tenacity.
Anne Waldman
We still have our larynx, we still have our minds and we still have our consciousness. We still have this gift to make things with words and images and get outside these preordained tropes and ways of thinking and the master narratives - what's handed to us.
Anne Waldman
How can you work on letting your thoughts go and getting synchronized into the moment and questioning your wild imagination. But I say just think of all the great Japanese and Chinese poets and scholars who were also meditators.
Anne Waldman
We humans need to do better with our vast minds and alchemical powers. Future radial poetries might be more symbiotic with the rest of consciousness.
Anne Waldman
You really felt a radical shift in the advance of a poetics that had really been engendered by [Walt] Whitman. This was very exciting. I wanted to work in this environment.
Anne Waldman
