Quote

I don't demonize the downside. As we've seen in Egypt and Tahrir square and other recent event, the adhesiveness through [technology] kinds of communication is extraordinary. Interesting times we live in.

Anne Waldman

Change background

T
T
T

Change font

TAGS & TOPICS

Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Communication
Downside
Events
Square
Technology
Egypt
Seen
Squares
Interesting
Recent
Times
Event
Live
Kinds
Kind
Extraordinary
Demonize

More quotes by Anne Waldman

Image
If I smashed the traditions it was because I knew no traditions. I'm the girl with the unquenchable thirst.
Anne Waldman
Image
Certainly the beat writers I've known who carried forward the original, you know, I'd say that came together in the 1940s and 50s. So I was inheriting in a way some of that ethos.
Anne Waldman
Image
I grew up in New York City in Greenwich Village and had parents who were somewhat bohemian so I was always on the nonconformist side of the equation.
Anne Waldman
Image
My father shared the ethos of many of the beat writers and was a friend of Allen Ginsberg. Probably for 25 years of my father's life, He had been an itinerant piano player and so traveled the road with bands and that sort of thing.
Anne Waldman
Image
I think of the amazing things that were going on. So it's so rich. The doors keep opening.
Anne Waldman
Image
I think anything that gets people outside [is good] - I'm a big supporter of public parks and public spaces.
Anne Waldman
Image
The music is notated first, the text follows. I might have to wait until the right kind of text or form arises. I often see the poems as “scores.”
Anne Waldman
Image
I'm drawn to the magical efficacies of language as a political act.
Anne Waldman
Image
I get very upset when money is being cut and people can't visit the Grand Canyon.
Anne Waldman
Image
When I look at my life there are these streams, these things that have continuity from the fifties to now.
Anne Waldman
Image
There's a kind of training, when you are sitting in a session in the Japanese tradition or any of the Buddhist traditions, taking your lotus posture or whatever it is. That's what you're doing.
Anne Waldman
Image
For me there is a poesis, a poetics, around the trope of the road that is embedded within many life experiences of the people I've been close to.
Anne Waldman
Image
I was going to public school in the post-World War II, the grey doldrum years. But I was in this extraordinary environment of Manhattan, of Greenwich Village, of bohemian parents.
Anne Waldman
Image
Poets have to keep pushing, pushing, against the darkness, and write their way out of it as well.
Anne Waldman
Image
World War II synchronizes things for a lot of people. There's a kind of wakeup call.
Anne Waldman
Image
I like the idea of the object, the relic. And I see it as a time machine too or a device you plug into a socket that activates a sound and light show.
Anne Waldman
Image
Idea that all the beats are wildly liberal and progressive is ridiculous. You have people thinking for themselves and having certain affinities because of their upbringing and who their family are, their own people who were close to them who fought in these wars and so on. It's complicated. But they had that ability to continue the conversation.
Anne Waldman
Image
The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
Anne Waldman
Image
For me the road became a zone, in places like Saint Marks poetry Project where I worked for 12 years.
Anne Waldman
Image
A lot of my father's generation were thinking about communism and had deep liberal and progressive connections. He never admitted whether he was a card-carrying communist party member but I think its possible.
Anne Waldman