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I don't demonize the downside. As we've seen in Egypt and Tahrir square and other recent event, the adhesiveness through [technology] kinds of communication is extraordinary. Interesting times we live in.

Anne Waldman

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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Communication
Downside
Events
Square
Technology
Egypt
Seen
Squares
Interesting
Recent
Times
Event
Live
Kinds
Kind
Extraordinary
Demonize

More quotes by Anne Waldman

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I invoke that sense of the particulars of that kind of literal travel and what that has meant historically in terms of diasporas, in terms of the migrations of immigrants coming to this [U.S.] country with a real vision of finding the promised land.
Anne Waldman
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I think the idea of the lone tormented artist - which we can apply to others - I think that it needs to be revisited. Jack Kerouac needs to be seen in the context of a lot of other artistic activity.
Anne Waldman
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The color red is symbolic of passion and action, so this Vajrayogini, as she's called, comes with a mantra and she comes with these various weapons and accouterments that are all symbolic of the kind of activity that this principle, as it were, this psychological principle, does or activates in the world. And there's text and mantra as well.
Anne Waldman
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The dichotomies, the brokenness of the culture around things like the Vietnam war, and then a lot of it has to do with war and where we put our energy and money and attention. And the military industrial complex, which dominates our whole economy. Even with the vision of democracy in other places we know the dark side.
Anne Waldman
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I think of my father born in this very small, limited situation and then coming out of that. Many people have this story.
Anne Waldman
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How can you work on letting your thoughts go and getting synchronized into the moment and questioning your wild imagination. But I say just think of all the great Japanese and Chinese poets and scholars who were also meditators.
Anne Waldman
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Literal thousands of Americans taking to the road and getting into that green automobile and just going. At the same time there is real incredible work [of art] that comes out of it. Never forget that.
Anne Waldman
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As a younger person you can come in through many, many gateways. It's like some huge Mandela. You can enter into this and get refreshed.
Anne Waldman
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The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
Anne Waldman
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I'm drawn to the magical efficacies of language as a political act.
Anne Waldman
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I'd like to invoke the Native American Navajo because their word for road is used as a verb. Their whole relationship to road has to do with how you travel it, who you are traveling it with, what the environment might be, where you're headed, in what direction, the weather and so on.
Anne Waldman
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For me poems are acts re-done, and that can vibrate well into the future.
Anne Waldman
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My love of poetry comes from the actualization I experienced in the poetry of others. And I was reading it silently and there is deep pleasure in that intimacy, a mind-to-mind transfer going on. All the music is there, inherently. And mystery as well.
Anne Waldman
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What I propose for the life of a poet goes against the grain of the fossil fuel monoculture. Maybe the most revolutionary act these days is not to watch television and to read a book a day at least.
Anne Waldman
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I think anything that gets people outside [is good] - I'm a big supporter of public parks and public spaces.
Anne Waldman
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There are energies that reside in each phone and phoneme. And we can release them.
Anne Waldman
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I was not ever hitchhiking alone. I've done solo train trips but I've never driven myself alone.
Anne Waldman
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How infuriating it is to be continually born to war that continues one's whole lifetime, even as one protests it - what futility. It is perhaps a more public epic in this regard, and carries a ritual vocalization.
Anne Waldman
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I'm curious about other universes, and nonhuman elementals. For me it's still a very lively ethos. It's a kind of practice. It's an ethos that is very sustaining.
Anne Waldman
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Personally there is first: imagination second: the act of writing - and third: the act/act of vocalizing.
Anne Waldman