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I don't demonize the downside. As we've seen in Egypt and Tahrir square and other recent event, the adhesiveness through [technology] kinds of communication is extraordinary. Interesting times we live in.

Anne Waldman

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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Events
Square
Technology
Egypt
Seen
Squares
Interesting
Recent
Times
Event
Live
Kinds
Kind
Extraordinary
Demonize
Communication
Downside

More quotes by Anne Waldman

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I remember being caught in this earthquake in Mexico City and having a sense of people coming before me, of being part of this lineage. I felt similarly when I went to India and South America.
Anne Waldman
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I think anything that gets people outside [is good] - I'm a big supporter of public parks and public spaces.
Anne Waldman
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There is a pretty interesting document called 'action writing.' Which is not all about spontaneity and first thought, best thought,' but a certain kind of attention to the smallest increments of the phonemes of language, The kind of power of connection, what he is able to do with language.
Anne Waldman
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The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
Anne Waldman
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For me poems are acts re-done, and that can vibrate well into the future.
Anne Waldman
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When I look at my life there are these streams, these things that have continuity from the fifties to now.
Anne Waldman
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A lot of my father's generation were thinking about communism and had deep liberal and progressive connections. He never admitted whether he was a card-carrying communist party member but I think its possible.
Anne Waldman
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The sense of traveling this continent, also other continents. The friendship.I would say a non-competitive friendship. That is so amazing to me.
Anne Waldman
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There's a kind of training, when you are sitting in a session in the Japanese tradition or any of the Buddhist traditions, taking your lotus posture or whatever it is. That's what you're doing.
Anne Waldman
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My teachers were often very eccentric.
Anne Waldman
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Certainly the beat writers I've known who carried forward the original, you know, I'd say that came together in the 1940s and 50s. So I was inheriting in a way some of that ethos.
Anne Waldman
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I invoke that sense of the particulars of that kind of literal travel and what that has meant historically in terms of diasporas, in terms of the migrations of immigrants coming to this [U.S.] country with a real vision of finding the promised land.
Anne Waldman
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I was not ever hitchhiking alone. I've done solo train trips but I've never driven myself alone.
Anne Waldman
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Idea that all the beats are wildly liberal and progressive is ridiculous. You have people thinking for themselves and having certain affinities because of their upbringing and who their family are, their own people who were close to them who fought in these wars and so on. It's complicated. But they had that ability to continue the conversation.
Anne Waldman
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My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.
Anne Waldman
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I think the idea of the lone tormented artist - which we can apply to others - I think that it needs to be revisited. Jack Kerouac needs to be seen in the context of a lot of other artistic activity.
Anne Waldman
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The dichotomies, the brokenness of the culture around things like the Vietnam war, and then a lot of it has to do with war and where we put our energy and money and attention. And the military industrial complex, which dominates our whole economy. Even with the vision of democracy in other places we know the dark side.
Anne Waldman
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I think for me in terms of this kind of dichotomy you have to hold the sense of negative capability in your mind - which is Keats line about being able to hold two different ideas 'without any irritable reach after fact or reason.'
Anne Waldman
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I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
Anne Waldman
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As a woman I have felt encouraged and fed by and nurtured by the work of [Jack] Kerouac and others.
Anne Waldman