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I don't demonize the downside. As we've seen in Egypt and Tahrir square and other recent event, the adhesiveness through [technology] kinds of communication is extraordinary. Interesting times we live in.

Anne Waldman

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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Kind
Extraordinary
Demonize
Communication
Downside
Events
Square
Technology
Egypt
Seen
Squares
Interesting
Recent
Times
Event
Live
Kinds

More quotes by Anne Waldman

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I think Visions of Cody is the most radical book in terms of poetic stretch and the way Jack Kerouac is able to incorporate documentation and incorporate the live tape recording of Neal and so on.
Anne Waldman
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I am a self-appointed ambassador for poetry.
Anne Waldman
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Allen's [Gisberg] loyalty to his friends was extraordinary. And as he was dying he was calling people: What can I do for you before I die? Do you need money? What can I do?.
Anne Waldman
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As a woman I have felt encouraged and fed by and nurtured by the work of [Jack] Kerouac and others.
Anne Waldman
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My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.
Anne Waldman
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My father shared the ethos of many of the beat writers and was a friend of Allen Ginsberg. Probably for 25 years of my father's life, He had been an itinerant piano player and so traveled the road with bands and that sort of thing.
Anne Waldman
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You really felt a radical shift in the advance of a poetics that had really been engendered by [Walt] Whitman. This was very exciting. I wanted to work in this environment.
Anne Waldman
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Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music.
Anne Waldman
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We still have our larynx, we still have our minds and we still have our consciousness. We still have this gift to make things with words and images and get outside these preordained tropes and ways of thinking and the master narratives - what's handed to us.
Anne Waldman
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The beat literary movement is strong because of those very challenging and individual relationships and styles and contention and so on. So I just feel blessed by this kind of opportunity that came from it. It was a kind of seed.
Anne Waldman
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I think for me in terms of this kind of dichotomy you have to hold the sense of negative capability in your mind - which is Keats line about being able to hold two different ideas 'without any irritable reach after fact or reason.'
Anne Waldman
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I'm concerned about the overuse of spectacular places. And there's no real wilderness left and so there's a heartbreak there. You can go anywhere and be rescued through your cell phone and have some helicopter drop down.
Anne Waldman
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My love of poetry comes from the actualization I experienced in the poetry of others. And I was reading it silently and there is deep pleasure in that intimacy, a mind-to-mind transfer going on. All the music is there, inherently. And mystery as well.
Anne Waldman
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I think the idea of the lone tormented artist - which we can apply to others - I think that it needs to be revisited. Jack Kerouac needs to be seen in the context of a lot of other artistic activity.
Anne Waldman
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As a younger person you can come in through many, many gateways. It's like some huge Mandela. You can enter into this and get refreshed.
Anne Waldman
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A lot of my life has involved with helping create cultures that have as their basis this vision of the sharing, the partaking of a certain ethos together.
Anne Waldman
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I'm drawn to the magical efficacies of language as a political act.
Anne Waldman
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The whole red state/blue state thing is very interesting. Watching that shift over the years.
Anne Waldman
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There's a kind of training, when you are sitting in a session in the Japanese tradition or any of the Buddhist traditions, taking your lotus posture or whatever it is. That's what you're doing.
Anne Waldman
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I hope I'm not implying role of contemporary poet for myself, although there's a kind of resonant paradigm. It's traditionally a difficult role.
Anne Waldman