Quote

I'm concerned about the overuse of spectacular places. And there's no real wilderness left and so there's a heartbreak there. You can go anywhere and be rescued through your cell phone and have some helicopter drop down.

Anne Waldman

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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Phone
Rescued
Drop
Helicopter
Phones
Helicopters
Anywhere
Heartbreak
Places
Spectacular
Concerned
Cell
Left
Wilderness
Real
Cells
Overuse

More quotes by Anne Waldman

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Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music.
Anne Waldman
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My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
Anne Waldman
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I had parents who were attentive to what was going on politically. There was the Greek connection, a sense of a larger world. People coming in from abroad. There was a sense of community around ideas: a discourse and an adhesiveness which is my favorite word from [Walt] Whitman.
Anne Waldman
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What I'm after is that wakeful state through language that stays alive.
Anne Waldman
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Contemporary movies just drive me crazy. The violence and the sentimentality and the spiritual materialism and Theism and the incredible indulgence in ignorance is so claustrophobic.
Anne Waldman
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As a woman I have felt encouraged and fed by and nurtured by the work of [Jack] Kerouac and others.
Anne Waldman
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Literal thousands of Americans taking to the road and getting into that green automobile and just going. At the same time there is real incredible work [of art] that comes out of it. Never forget that.
Anne Waldman
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My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.
Anne Waldman
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How can you work on letting your thoughts go and getting synchronized into the moment and questioning your wild imagination. But I say just think of all the great Japanese and Chinese poets and scholars who were also meditators.
Anne Waldman
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For me poems are acts re-done, and that can vibrate well into the future.
Anne Waldman
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I'm curious about other universes, and nonhuman elementals. For me it's still a very lively ethos. It's a kind of practice. It's an ethos that is very sustaining.
Anne Waldman
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I'd like to invoke the Native American Navajo because their word for road is used as a verb. Their whole relationship to road has to do with how you travel it, who you are traveling it with, what the environment might be, where you're headed, in what direction, the weather and so on.
Anne Waldman
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Our need to reimagine our world through the vibratory larynx, that's what matters. Re-awaken the world to itself. Through ideas, pictures, sounds. Hold the mirror up to nature.
Anne Waldman
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I took my vow to poetry this is where I'm going to be. These are my people this is my tribe. This is where I'm going to put my energy.
Anne Waldman
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I don't think it is as a trope or as something in our psyches. There's very little wilderness out there but there is wild mind, and the Wild mind that actually, as Gary Snyder says, wants to take care of things. There's an elegant quality to the wild mind.
Anne Waldman
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The dichotomies, the brokenness of the culture around things like the Vietnam war, and then a lot of it has to do with war and where we put our energy and money and attention. And the military industrial complex, which dominates our whole economy. Even with the vision of democracy in other places we know the dark side.
Anne Waldman
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I like the idea of the object, the relic. And I see it as a time machine too or a device you plug into a socket that activates a sound and light show.
Anne Waldman
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If I smashed the traditions it was because I knew no traditions. I'm the girl with the unquenchable thirst.
Anne Waldman
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I think the idea of the lone tormented artist - which we can apply to others - I think that it needs to be revisited. Jack Kerouac needs to be seen in the context of a lot of other artistic activity.
Anne Waldman
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We humans need to do better with our vast minds and alchemical powers. Future radial poetries might be more symbiotic with the rest of consciousness.
Anne Waldman