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I'm concerned about the overuse of spectacular places. And there's no real wilderness left and so there's a heartbreak there. You can go anywhere and be rescued through your cell phone and have some helicopter drop down.

Anne Waldman

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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Left
Wilderness
Real
Cells
Overuse
Phone
Rescued
Drop
Helicopter
Phones
Helicopters
Anywhere
Heartbreak
Places
Spectacular
Concerned
Cell

More quotes by Anne Waldman

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No one begs you to be a poet or write a 1000-page poem. You have to be fueled by a drive, a conviction - a need, a necessity, a vision that is so pressing that it has no other outlet but through you. That doesn't mean that you are unconscious or in trance, but there can be moments like that.
Anne Waldman
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I took my vow to poetry this is where I'm going to be. These are my people this is my tribe. This is where I'm going to put my energy.
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I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
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As a woman I have felt encouraged and fed by and nurtured by the work of [Jack] Kerouac and others.
Anne Waldman
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I think the idea of the lone tormented artist - which we can apply to others - I think that it needs to be revisited. Jack Kerouac needs to be seen in the context of a lot of other artistic activity.
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Allen's [Gisberg] loyalty to his friends was extraordinary. And as he was dying he was calling people: What can I do for you before I die? Do you need money? What can I do?.
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You really felt a radical shift in the advance of a poetics that had really been engendered by [Walt] Whitman. This was very exciting. I wanted to work in this environment.
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It's so rich as a trope - the whole idea of the road and it being in terms of language, being an active experience.
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Poets have to keep pushing, pushing, against the darkness, and write their way out of it as well.
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Certainly the beat writers I've known who carried forward the original, you know, I'd say that came together in the 1940s and 50s. So I was inheriting in a way some of that ethos.
Anne Waldman
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For me there is a poesis, a poetics, around the trope of the road that is embedded within many life experiences of the people I've been close to.
Anne Waldman
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The sense of traveling this continent, also other continents. The friendship.I would say a non-competitive friendship. That is so amazing to me.
Anne Waldman
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There are energies that reside in each phone and phoneme. And we can release them.
Anne Waldman
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The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
Anne Waldman
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A lot of my life has involved with helping create cultures that have as their basis this vision of the sharing, the partaking of a certain ethos together.
Anne Waldman
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I remember being caught in this earthquake in Mexico City and having a sense of people coming before me, of being part of this lineage. I felt similarly when I went to India and South America.
Anne Waldman
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I still had to correct Allen Ginsberg at times when he called women girls. I'd say. Allen please, it's not politically correct.
Anne Waldman
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This will be a good time for poetry, you know, when things get darker and stranger and your very speech is being questioned and the sense of trusting that human thing.
Anne Waldman
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I'm drawn to the magical efficacies of language as a political act.
Anne Waldman
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Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music.
Anne Waldman