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I think anything that gets people outside [is good] - I'm a big supporter of public parks and public spaces.
Anne Waldman
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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Think
Parks
Thinking
Outside
People
Gets
Public
Space
Bigs
Anything
Spaces
Good
Supporter
More quotes by Anne Waldman
We humans need to do better with our vast minds and alchemical powers. Future radial poetries might be more symbiotic with the rest of consciousness.
Anne Waldman
I hope I'm not implying role of contemporary poet for myself, although there's a kind of resonant paradigm. It's traditionally a difficult role.
Anne Waldman
I had a student some years ago whose father had worked on the Manhattan Project. I had a student who had to escape this very intense, born-again fundamentalist Christian background that was very much like a cult and of course they struggle to get to Naropa. And they have cut themselves off. They don't look back.
Anne Waldman
The sense of the preciousness of the body - vehicle for poetry.
Anne Waldman
Connection to Buddhism is strand in my life.
Anne Waldman
The formal stuff feels old and windy. Not to say you shouldn't know prosody. But it's a wonderful time for exploratory poetics. Contemporary poets are inventing all kinds of wild, complex shapes for poetry, as we see. It's a wonderful time, less ego-centered.
Anne Waldman
I took my vow to poetry this is where I'm going to be. These are my people this is my tribe. This is where I'm going to put my energy.
Anne Waldman
For me poems are acts re-done, and that can vibrate well into the future.
Anne Waldman
I grew up in New York City in Greenwich Village and had parents who were somewhat bohemian so I was always on the nonconformist side of the equation.
Anne Waldman
I think for me in terms of this kind of dichotomy you have to hold the sense of negative capability in your mind - which is Keats line about being able to hold two different ideas 'without any irritable reach after fact or reason.'
Anne Waldman
We pride ourselves at Natrona - I mean, pride {ironically] - on developing a noncompetitive community. That's very important. The values that can come from that kind of meditative work combined with the creative work you do, combined with your activism, can come together.
Anne Waldman
Literal thousands of Americans taking to the road and getting into that green automobile and just going. At the same time there is real incredible work [of art] that comes out of it. Never forget that.
Anne Waldman
For me the road became a zone, in places like Saint Marks poetry Project where I worked for 12 years.
Anne Waldman
My older brother was involved in the folk movement. We would gather every weekend in Washington Park. The folk songs were so important to my reality.
Anne Waldman
I was going to public school in the post-World War II, the grey doldrum years. But I was in this extraordinary environment of Manhattan, of Greenwich Village, of bohemian parents.
Anne Waldman
My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
Anne Waldman
Personally there is first: imagination second: the act of writing - and third: the act/act of vocalizing.
Anne Waldman
It's so rich as a trope - the whole idea of the road and it being in terms of language, being an active experience.
Anne Waldman
This will be a good time for poetry, you know, when things get darker and stranger and your very speech is being questioned and the sense of trusting that human thing.
Anne Waldman
You really felt a radical shift in the advance of a poetics that had really been engendered by [Walt] Whitman. This was very exciting. I wanted to work in this environment.
Anne Waldman