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Allen's [Gisberg] loyalty to his friends was extraordinary. And as he was dying he was calling people: What can I do for you before I die? Do you need money? What can I do?.

Anne Waldman

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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Needs
Loyalty
People
Calling
Extraordinary
Dying
Dies
Friends
Money
Need
Allen

More quotes by Anne Waldman

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For me the road became a zone, in places like Saint Marks poetry Project where I worked for 12 years.
Anne Waldman
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There is a pretty interesting document called 'action writing.' Which is not all about spontaneity and first thought, best thought,' but a certain kind of attention to the smallest increments of the phonemes of language, The kind of power of connection, what he is able to do with language.
Anne Waldman
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I don't think it is as a trope or as something in our psyches. There's very little wilderness out there but there is wild mind, and the Wild mind that actually, as Gary Snyder says, wants to take care of things. There's an elegant quality to the wild mind.
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The music is notated first, the text follows. I might have to wait until the right kind of text or form arises. I often see the poems as “scores.”
Anne Waldman
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I was going to public school in the post-World War II, the grey doldrum years. But I was in this extraordinary environment of Manhattan, of Greenwich Village, of bohemian parents.
Anne Waldman
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I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
Anne Waldman
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The beat literary movement is strong because of those very challenging and individual relationships and styles and contention and so on. So I just feel blessed by this kind of opportunity that came from it. It was a kind of seed.
Anne Waldman
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World War II synchronizes things for a lot of people. There's a kind of wakeup call.
Anne Waldman
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My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.
Anne Waldman
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There are energies that reside in each phone and phoneme. And we can release them.
Anne Waldman
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Obviously, if I'm reading in Vienna or Venezuela or Italy, there's the issue of language, and I will make choices that are more sound oriented. Or I'll try to incorporate those languages and occasions somehow.
Anne Waldman
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The sense of traveling this continent, also other continents. The friendship.I would say a non-competitive friendship. That is so amazing to me.
Anne Waldman
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My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
Anne Waldman
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Myths, by their definition, involve transformations, struggles through various worlds or layers of reality and of obscuration.
Anne Waldman
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I think of my father born in this very small, limited situation and then coming out of that. Many people have this story.
Anne Waldman
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I think Visions of Cody is the most radical book in terms of poetic stretch and the way Jack Kerouac is able to incorporate documentation and incorporate the live tape recording of Neal and so on.
Anne Waldman
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There's a numbness in our culture to the continuing horrors of genocide.
Anne Waldman
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As a woman I have felt encouraged and fed by and nurtured by the work of [Jack] Kerouac and others.
Anne Waldman
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The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
Anne Waldman
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I'm drawn to the magical efficacies of language as a political act.
Anne Waldman