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Allen's [Gisberg] loyalty to his friends was extraordinary. And as he was dying he was calling people: What can I do for you before I die? Do you need money? What can I do?.

Anne Waldman

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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Dying
Dies
Friends
Money
Need
Allen
Needs
Loyalty
People
Calling
Extraordinary

More quotes by Anne Waldman

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Think of the road as a kind of zone and a site of incredible diversity.
Anne Waldman
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We still have our larynx, we still have our minds and we still have our consciousness. We still have this gift to make things with words and images and get outside these preordained tropes and ways of thinking and the master narratives - what's handed to us.
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My mother started taking us to church when I was in seventh or eight grade. That was always a question, Do you believe in God?
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I like the idea of the object, the relic. And I see it as a time machine too or a device you plug into a socket that activates a sound and light show.
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There is a pretty interesting document called 'action writing.' Which is not all about spontaneity and first thought, best thought,' but a certain kind of attention to the smallest increments of the phonemes of language, The kind of power of connection, what he is able to do with language.
Anne Waldman
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I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
Anne Waldman
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As a woman I have felt encouraged and fed by and nurtured by the work of [Jack] Kerouac and others.
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I still had to correct Allen Ginsberg at times when he called women girls. I'd say. Allen please, it's not politically correct.
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I think of the amazing things that were going on. So it's so rich. The doors keep opening.
Anne Waldman
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World War II synchronizes things for a lot of people. There's a kind of wakeup call.
Anne Waldman
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I think anything that gets people outside [is good] - I'm a big supporter of public parks and public spaces.
Anne Waldman
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The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
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Certainly the beat writers I've known who carried forward the original, you know, I'd say that came together in the 1940s and 50s. So I was inheriting in a way some of that ethos.
Anne Waldman
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The sense of the preciousness of the body - vehicle for poetry.
Anne Waldman
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I hope I'm not implying role of contemporary poet for myself, although there's a kind of resonant paradigm. It's traditionally a difficult role.
Anne Waldman
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For me poems are acts re-done, and that can vibrate well into the future.
Anne Waldman
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I don't demonize the downside. As we've seen in Egypt and Tahrir square and other recent event, the adhesiveness through [technology] kinds of communication is extraordinary. Interesting times we live in.
Anne Waldman
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Obviously, if I'm reading in Vienna or Venezuela or Italy, there's the issue of language, and I will make choices that are more sound oriented. Or I'll try to incorporate those languages and occasions somehow.
Anne Waldman
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I'm concerned about the overuse of spectacular places. And there's no real wilderness left and so there's a heartbreak there. You can go anywhere and be rescued through your cell phone and have some helicopter drop down.
Anne Waldman
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My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.
Anne Waldman