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When I look at my life there are these streams, these things that have continuity from the fifties to now.
Anne Waldman
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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Fifties
Continuity
Streams
Look
Looks
Things
Life
More quotes by Anne Waldman
I think Visions of Cody is the most radical book in terms of poetic stretch and the way Jack Kerouac is able to incorporate documentation and incorporate the live tape recording of Neal and so on.
Anne Waldman
For me the road became a zone, in places like Saint Marks poetry Project where I worked for 12 years.
Anne Waldman
I think the idea of the lone tormented artist - which we can apply to others - I think that it needs to be revisited. Jack Kerouac needs to be seen in the context of a lot of other artistic activity.
Anne Waldman
My love of poetry comes from the actualization I experienced in the poetry of others. And I was reading it silently and there is deep pleasure in that intimacy, a mind-to-mind transfer going on. All the music is there, inherently. And mystery as well.
Anne Waldman
I invoke that sense of the particulars of that kind of literal travel and what that has meant historically in terms of diasporas, in terms of the migrations of immigrants coming to this [U.S.] country with a real vision of finding the promised land.
Anne Waldman
I'm drawn to the magical efficacies of language as a political act.
Anne Waldman
My father shared the ethos of many of the beat writers and was a friend of Allen Ginsberg. Probably for 25 years of my father's life, He had been an itinerant piano player and so traveled the road with bands and that sort of thing.
Anne Waldman
The sense of the preciousness of the body - vehicle for poetry.
Anne Waldman
I was raised with a sense of democratic vistas and egalitarianism.
Anne Waldman
A lot of my father's generation were thinking about communism and had deep liberal and progressive connections. He never admitted whether he was a card-carrying communist party member but I think its possible.
Anne Waldman
As a younger person you can come in through many, many gateways. It's like some huge Mandela. You can enter into this and get refreshed.
Anne Waldman
Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music.
Anne Waldman
We still have our larynx, we still have our minds and we still have our consciousness. We still have this gift to make things with words and images and get outside these preordained tropes and ways of thinking and the master narratives - what's handed to us.
Anne Waldman
My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
Anne Waldman
It's so rich as a trope - the whole idea of the road and it being in terms of language, being an active experience.
Anne Waldman
I had parents who were attentive to what was going on politically. There was the Greek connection, a sense of a larger world. People coming in from abroad. There was a sense of community around ideas: a discourse and an adhesiveness which is my favorite word from [Walt] Whitman.
Anne Waldman
The music is notated first, the text follows. I might have to wait until the right kind of text or form arises. I often see the poems as “scores.”
Anne Waldman
My father was a frustrated writer. I think he wanted to write the great American novel.
Anne Waldman
What I'm after is that wakeful state through language that stays alive.
Anne Waldman
We had much more imagery from Vietnam war. The media was not controlled. The storyline, the master narrative was not controlled. I thin it was some those images really radicalized people and shifted things to some extent. And the Viet Cong also, their tenacity.
Anne Waldman
