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My older brother was involved in the folk movement. We would gather every weekend in Washington Park. The folk songs were so important to my reality.
Anne Waldman
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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Reality
Washington
Important
Folks
Every
Older
Would
Songs
Gather
Brother
Folk
Involved
Park
Movement
Weekend
Song
Parks
More quotes by Anne Waldman
I think for me in terms of this kind of dichotomy you have to hold the sense of negative capability in your mind - which is Keats line about being able to hold two different ideas 'without any irritable reach after fact or reason.'
Anne Waldman
I took my vow to poetry this is where I'm going to be. These are my people this is my tribe. This is where I'm going to put my energy.
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My last bedside conversation in the hospital just a few weeks before Allen Ginsberg died was 'please take care of so and so. And the legacy of the Kerouac school.
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Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music.
Anne Waldman
If I smashed the traditions it was because I knew no traditions. I'm the girl with the unquenchable thirst.
Anne Waldman
I'm curious about other universes, and nonhuman elementals. For me it's still a very lively ethos. It's a kind of practice. It's an ethos that is very sustaining.
Anne Waldman
I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
Anne Waldman
The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
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I grew up in New York City in Greenwich Village and had parents who were somewhat bohemian so I was always on the nonconformist side of the equation.
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My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
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You really felt a radical shift in the advance of a poetics that had really been engendered by [Walt] Whitman. This was very exciting. I wanted to work in this environment.
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The whole red state/blue state thing is very interesting. Watching that shift over the years.
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I don't think it is as a trope or as something in our psyches. There's very little wilderness out there but there is wild mind, and the Wild mind that actually, as Gary Snyder says, wants to take care of things. There's an elegant quality to the wild mind.
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We humans need to do better with our vast minds and alchemical powers. Future radial poetries might be more symbiotic with the rest of consciousness.
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As a woman I have felt encouraged and fed by and nurtured by the work of [Jack] Kerouac and others.
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Connection to Buddhism is strand in my life.
Anne Waldman
It's so rich as a trope - the whole idea of the road and it being in terms of language, being an active experience.
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I have students whose fathers are voting for Sarah Palin. It's wild.
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Literal thousands of Americans taking to the road and getting into that green automobile and just going. At the same time there is real incredible work [of art] that comes out of it. Never forget that.
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We pride ourselves at Natrona - I mean, pride {ironically] - on developing a noncompetitive community. That's very important. The values that can come from that kind of meditative work combined with the creative work you do, combined with your activism, can come together.
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