Quote

The dichotomies, the brokenness of the culture around things like the Vietnam war, and then a lot of it has to do with war and where we put our energy and money and attention. And the military industrial complex, which dominates our whole economy. Even with the vision of democracy in other places we know the dark side.

Anne Waldman

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Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Things
Attention
Places
Dichotomies
Like
War
Military
Dominates
Energy
Side
Brokenness
Culture
Democracy
Dichotomy
Money
Vision
Industrial
Around
Economy
Vietnam
Whole
Sides
Complexes
Even
Dark
Complex

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Any technology is just a skillful means and it's how you use it.
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As a woman I have felt encouraged and fed by and nurtured by the work of [Jack] Kerouac and others.
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My teachers were often very eccentric.
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You really felt a radical shift in the advance of a poetics that had really been engendered by [Walt] Whitman. This was very exciting. I wanted to work in this environment.
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Idea that all the beats are wildly liberal and progressive is ridiculous. You have people thinking for themselves and having certain affinities because of their upbringing and who their family are, their own people who were close to them who fought in these wars and so on. It's complicated. But they had that ability to continue the conversation.
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I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
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There are energies that reside in each phone and phoneme. And we can release them.
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I hope I'm not implying role of contemporary poet for myself, although there's a kind of resonant paradigm. It's traditionally a difficult role.
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For me the road became a zone, in places like Saint Marks poetry Project where I worked for 12 years.
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Connection to Buddhism is strand in my life.
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I'm curious about other universes, and nonhuman elementals. For me it's still a very lively ethos. It's a kind of practice. It's an ethos that is very sustaining.
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I grew up in New York City in Greenwich Village and had parents who were somewhat bohemian so I was always on the nonconformist side of the equation.
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This will be a good time for poetry, you know, when things get darker and stranger and your very speech is being questioned and the sense of trusting that human thing.
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