Quote

Think of the road as a kind of zone and a site of incredible diversity.

Anne Waldman

Change background

T
T
T

Change font

TAGS & TOPICS

Anne Waldman
Age: 79
Born: 1945
Born: April 2
Poet
Writer
Millville
New Jersey
Think
Thinking
Site
Zone
Incredible
Diversity
Road
Kind

More quotes by Anne Waldman

Image
As a woman I have felt encouraged and fed by and nurtured by the work of [Jack] Kerouac and others.
Anne Waldman
Image
The dichotomies, the brokenness of the culture around things like the Vietnam war, and then a lot of it has to do with war and where we put our energy and money and attention. And the military industrial complex, which dominates our whole economy. Even with the vision of democracy in other places we know the dark side.
Anne Waldman
Image
I think of my father born in this very small, limited situation and then coming out of that. Many people have this story.
Anne Waldman
Image
Literal thousands of Americans taking to the road and getting into that green automobile and just going. At the same time there is real incredible work [of art] that comes out of it. Never forget that.
Anne Waldman
Image
I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
Anne Waldman
Image
[Jack] Kerouac looking at the fellaheen worlds. Looking at other cultures. Welcoming it, curious. Really stepping outside his own limited, whatever that narrow world was. It's amazing to think we can do it. We can have that same kind of trajectory of mind.
Anne Waldman
Image
If I smashed the traditions it was because I knew no traditions. I'm the girl with the unquenchable thirst.
Anne Waldman
Image
For me poems are acts re-done, and that can vibrate well into the future.
Anne Waldman
Image
The sense of the preciousness of the body - vehicle for poetry.
Anne Waldman
Image
I was not ever hitchhiking alone. I've done solo train trips but I've never driven myself alone.
Anne Waldman
Image
For me there is a poesis, a poetics, around the trope of the road that is embedded within many life experiences of the people I've been close to.
Anne Waldman
Image
Growing up in the fifties, having to wear a dog tag, having to take shelter in a bomb shelter. That turned me toward the road, I did not want to live in fear of that, I was gong to work somehow against what that vision was, and what that horror was. It was poetry, art, music.
Anne Waldman
Image
I was going to public school in the post-World War II, the grey doldrum years. But I was in this extraordinary environment of Manhattan, of Greenwich Village, of bohemian parents.
Anne Waldman
Image
My mother actually left American in 1929 to be part of an alternative community of bohemians around her then father-in-law who was a well-known Greek poet. This group of people were living in this semi-Luddite reality and weaving their own clothes - proto-hippies in a way- -but around an artistic vision.
Anne Waldman
Image
I think anything that gets people outside [is good] - I'm a big supporter of public parks and public spaces.
Anne Waldman
Image
When I got back to NY had the opportunity to work with the beginning years of the poetry project which was founded with money from the OEO under Lyndon Johnson to work with alienated youth on the lower East side. This was extraordinary, to be able to help then to create a culture that would capture the energy that I felt at Berkley.
Anne Waldman
Image
My father was a frustrated writer. I think he wanted to write the great American novel.
Anne Waldman
Image
We had much more imagery from Vietnam war. The media was not controlled. The storyline, the master narrative was not controlled. I thin it was some those images really radicalized people and shifted things to some extent. And the Viet Cong also, their tenacity.
Anne Waldman
Image
Any technology is just a skillful means and it's how you use it.
Anne Waldman
Image
I think for me in terms of this kind of dichotomy you have to hold the sense of negative capability in your mind - which is Keats line about being able to hold two different ideas 'without any irritable reach after fact or reason.'
Anne Waldman