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Odd how clear it suddenly became, once a person had died, that the body was the very least of him.

Anne Tyler

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Anne Tyler
Age: 83
Born: 1941
Born: October 25
Librarian
Novelist
Short Story Writer
Writer
Minneapolis
Minnesota
Least
Clear
Death
Body
Persons
Odd
Person
Suddenly
Became
Died

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...he thought of dying as a kind of adventure, something new that he hadn't yet experienced. Like an unusual vacation trip.
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I'm too shy for personal appearances, and I've found out that anytime I talk about my writing, I can't do any writing for many weeks afterward.
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People always talked about a mother's uncanny ability to read her children, but that was nothing compared to how children could read their mothers.
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It struck her all at once that dealing with other human beings was an awful lot of work.
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I spend about a year between novels
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I expect that any day now, I will have said all I have to say I'll have used up all my characters, and then I'll be free to get on with my real life.
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When you have children, you're obligated to live.
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Sooner or later, even the sharpest pain became flattened.
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I write because I want to have more than one life.
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...if you catalogue grudges, anything looks bad.
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...it's closeness that does you in. Never get too close to people, son.
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It is not how much you love someone, but who you are when you are with him.
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I've always thought sleep was a wonderful invention. Not that being awake isn't nice too, of course. But when I get up in the morning, I think, boy, only fourteen more hours and I can be back to sleep again ... And I never dream, because it distracts my mind from pure sleeping.
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Women were the ones that held the reins, it emerged.
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There is no sound more peaceful than rain on the roof, if you're safe asleep in someone else's house.
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I wonder how many times we dream that kind of dream-something strange and illogical-and fail to realize God is trying to tell us something.
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I write because I want more than one life I insist on a wider selection. It's greed, plain and simple.
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... everyone must play his role.
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Point of view is not something I consciously decide. Almost always, when I come up with a plot I find that the point of view has automatically arrived with it, part and parcel of the story.
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I consciously try to end my novels at a point where I won't have to wonder about my characters ever again.
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