Quote

The most demanding part of living a lifetime as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one's own intimate sensitivity.

Anne Truitt

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Anne Truitt
Age: 83 †
Born: 1921
Born: March 16
Died: 2004
Died: December 23
Artist
Drawer
Painter
Sculptor
Baltimore
Maryland
Anne Dean Truitt
Anne Dean
Part
Nerves
Work
Intimate
Lifetime
Steadfastly
Oneself
Forcing
Discipline
Nerve
Along
Demanding
Living
Sensitivity
Artist
Strict

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Generosity is often the stalking horse of control.
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The art of being officially old seems to lie in cooperative submission.
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No one questions the fact that verbal language has to be learned, but the commonplaceness of visual experience betrays art people tend to assume that, because they can see, they can see art.
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artists often lie behind on the field long after the art combine, the broad-bladed harvester of informed criticism, has mowed, bailed, and stored the crop.
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the capacity to work feeds on itself and has its own course of development. This is what artists have going for them.
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Love ... is the honoring of others in a way that grants them the grace of their own autonomy and allows mutual discovery.
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January is my favorite month, when the light is plainest, least colored. And I like the feeling of beginnings.
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Art comes into the highest part of the mind, that with which we can know the presence of God.
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Artists have no choice but to express their lives.
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There's a small still center into which conception can arrive. And when it arrives, you make it welcome with your experience.
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Humility is the daughter of truth.
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I worked in between carpools and buying food and cooking and whatever else I had to do. I lived an outside life, but really I was living an inside life.
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The finest teaching touches in a student a spring neither teacher nor student could possibly have preconceived.
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There is an appalling amount of mechanical work in the artist's life ... Talent is mysterious, but the qualities that guard, foster, and direct it are not unlike those of a good quartermaster.
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I have no home but me.
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the more visible my work became, the less visible I grew to myself.
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I come to the point of using steel, and simply cannot. It's like the marriage proposal of a perfectly eligible man who just isn't loveable. It is wood I love.
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A mystery confounds the problem of industry in art. In the last analysis, to work is simply not enough. But we have to act as if it were, leaving reward aside.
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Their [artists'] essential effort is to catapult themselves wholly, without holding back one bit, into a course of action without having any idea where they will end up. They are like riders who gallop into the night, eagerly leaning on their horse's neck, peering into a blinding rain. And they have to do it over and over again.
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