Quote

I think it is a good thing to have woman friends at every stage of life. We confide in each other, we support each other, we understand each other most of the time. Of course, sometimes we are competitive or angry or distant, too. But I do think it is important not to let the main friendships slip away in the sweep of the days.

Anne Roiphe

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Anne Roiphe
Age: 88
Born: 1935
Born: December 25
Essayist
Film Writer
Journalist
Novelist
Writer
New York City
New York
Good
Friends
Competitive
Time
Woman
Main
Think
Understand
Angry
Confide
Thinking
Away
Stage
Sweep
Life
Sometimes
Days
Friendships
Important
Courses
Slip
Thing
Course
Slips
Every
Support
Distant

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If I were planning to be stranded on a desert island, I wouldn't take Freud's books with me, because I've already read them all.
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God is a God of Lovingkindness.
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I think our material is our lives. That's part of being a modern writer, and we have to use it.
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Most of us don't have mothers who blazed a trail for us--at least, not all the way. Coming of age before or during the inception of the women's movement, whether as working parents or homemakers, whether married or divorced, our mothers faced conundrums--what should they be? how should they act?--that became our uncertainties.
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Friendship needs both confidences and confidence in the other's outstretched hand.
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What other people think of me is not really my major concern in life. What other people think of what I write is another matter.
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I feel that the world needs writers. We need to know what's really going on.
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We were not always 70, or rather our 70 is an accumulation of all the other ways we were. Our 5-year-old selves became our 10-year-old selves, and so on and on and if we unpack our selves, the full album appears. Every moment is a part of the following moment, and we are all a continuum.
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Everybody is bound by some social rules. But I think that artists need some kind of freedom to explore their minds and that some of them tend to take that freedom to live a little more openly or a little more dangerously, sometimes a lot more self-destructively, than other people.
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I am not a perfect friend, and it is impossible not to rebuff or be rebuffed if you move about the world.
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My mother had died when I wrote my first book. I was twenty-seven, so it was right at the beginning of my writing life. I don't know if she had lived, if I would have done it, certainly not quite like I did. But, you can't rethink it. You wrote what you wrote, it meant something to other people, and that's your good.
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People always think their world is coming to an end if they're exposed, and of course it isn't coming to an end it goes right on exactly the way it always was.
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A person who has no secrets is a liar. We always fold ourselves away from others just enough to preserve a secret or two, something that we cannot share without destroying our inner landscape.
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You really can't say things that upset someone in print and expect them to be nice and leave you their money. That's just not reasonable.
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I have two writer daughters, and a psychoanalyst daughter, and a lawyer daughter, and they wish we didn't write, I'm sure, but we write. If we were a painting family, we would paint.
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You have to be a lover of books without expecting more of them than they give - a little pleasure, a little insight, a moment of escape, a deepening of your own humanity. Not much else.
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When I grew up, you needed to have straight hair. It's symbolic of needing to be like everyone else, needing to look like everyone else. And what that meant was looking like the dominant ruling class in America.
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One of the things about parents and children is that there is no way that you go through this without there being mutual anger.
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A woman whose smile is open and whose expression is glad has a kind of beauty no matter what she wears.
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You have to have a certain kind of thickening of the hide. I mean, I'm not particularly worried about what other people think. If other people think that I was not the world's most perfect mother, they are completely right.
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