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I spent my whole life helping my mother carry around her psychic trunks like a bitter bellhop. So a great load was lifted when she died, and my life was much easier.

Anne Lamott

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Anne Lamott
Age: 70
Born: 1954
Born: April 10
Novelist
Writer
San Francisco County
California
Mother
Psychics
Around
Load
Whole
Bitter
Great
Carry
Much
Spent
Life
Died
Trunks
Like
Easier
Psychic
Helping
Lifted

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I have a very dark sense of humor. I swear. I have a very playful relationship with Jesus.
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All I ever wanted since I arrived here on earth are the same things I needed as a baby, to go from cold to warm, lonely to held, the vessel to the giver, empty to full.
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Human lives are hard, even those of health and privilege, and don't make much sense. This is the message of the Book of Job: Any snappy explanation of suffering you come up with will be horseshit.
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When everything starts going wrong all at once, it is to protect something big and lovely that is trying to get itself born.
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I didn't write about my mother much in the third year after she died. I was still trying to get my argument straight: When her friends or our relatives wondered why I was still so hard on her, I could really lay out the case for what it had been like to be raised by someone who had loathed herself, her husband, even her own name.
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It's intrusive for grandparents to think they're in charge. It's manipulative. Also, it's self-destructive, since if the parents have to resist you, you won't get your mitts on the kid as often.
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Churches are good for prayer, but so are garages and cars and mountains and showers and dance floors.
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A writer paradoxically seeks the truth and tells lies every step of the way.
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You want to protect your child from pain, and what you get instead is life, and grace and though theologians insist that grace is freely given, the truth is that sometimes you pay for it through the nose. And you can't pay your child's way.
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My main problem is that over and over again, I try to get all my characters to say stuff that I think is so witty or erudite you know, so that everybody will go.
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It feels like I'm babysitting in the Twilight Zone. I keep waiting for the parents to show up because we are out of chips and diet cokes.
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This is a very violent place to live, the Earth, and we're a very violent species. Cain is still killing Abel. We see that every day.
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I get to tell my truth. I get to seek meaning and realization. I get to live fully, wildly, imperfectly. That's why I'm alive. And all I actually have to offer as a writer is my version of life. Every single thing that has happened to me is mine.
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How do you begin? The answer is simple: you decide to.
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The last song was so deep and raw and pure that I could not escape. It was as if the people were singing in between the notes, weeping and joyful at the same time, and I felt like their voices or something was rocking me in its bosom, holding me like a scared kid, and I opened up to that feeling-and it washed over me.
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I devoured books like a person taking vitamins, afraid that otherwise I would remain this gelatinous narcissist, with no possibility of ever becoming thoughtful, of ever being taken seriously.
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After a while the middle-aged person who lives in her head begins to talk to her soul, the kid.
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I thought the secret of life was obvious: be here now, love as if your whole life depended on it, find your life's work, and try to get hold of a giant panda.
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There are a lot of us, some published, some not, who think the literary life is the loveliest one possible, this life of reading and writing and corresponding. We think this life is nearly ideal.
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Nothing heals us like letting people know our scariest parts: When people listen to you cry and lament, and look at you with love, it's like they are holding the baby of you.
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