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There is something about fashion that can make people really nervous.

Anna Wintour

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Anna Wintour
Age: 75
Born: 1949
Born: November 3
Editor
Fashion Editor
Journalist
Magazine Editor
Writer
London
England
Dame Anna Wintour
Make
People
Nervous
Fashion
Something
Really

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I'm an ice queen, I'm the Sun King, I'm an alien fleeing from District 9 and I'm a dominatrix. So I reckon that makes me a lukewarm royalty with a whip from outer space.
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If one comes across sometimes as being cold or brusque, it's simply because I'm striving for the best.
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In the end I do respond to my own instincts. Sometimes they're successful, and obviously sometimes they're not. But you have to, I think, remain true to what you believe in.
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I worked for Harper’s Bazaar. They fired me. I recommend that you all get fired it’s a great learning experience.
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I don't really follow market research. In the end, I respond to my own instincts.
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I don’t like people who are late.
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Tears? Are you going for a Barbara Walters moment?
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People respond well to those that are sure of what they want.
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[The democratization of luxury] means more people are going to get better fashion. And the more people who can have fashion, the better.
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Everyone should be sacked at least once in their career because perfection doesn't exist. It's important to have setbacks, because that is the reality of life.
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The notion that a contemporary woman must look mannish in order to be taken seriously as a seeker of power is frankly dismaying. This is America, not Saudi Arabia.
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I’m very driven by what I do. I am certainly very competitive. I like people who represent the best at what they do. If that turns you into a perfectionist then maybe I am.
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I've been very lucky to put women that I sincerely admire on the cover of 'Vogue:' the then First Lady and now Secretary of State Hillary Clinton and, more recently, First Lady Michelle Obama. Those were benchmarks for the magazine, and certainly covers that I've been very, very proud of.
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Vogue' is the best of everything that fashion can offer, and I think we point the way. We are, you know, a glamorous girlfriend.
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I saw young women in the street dressing in a way that I thought was influencing the designers. Fashion was being influenced by all sorts of different people, and culture and also across the street. So I saw more as a trickle up, than a trickle down influence. When I came to Vogue, that's what I wanted it to reflect.
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I look for strong people. I don't like people who'll say yes to everything I might bring up. I want people who can argue and disagree and have a point of view that's reflected in the magazine. My dad believed in the cult of personality. He brought great writers and columnists to The Standard.
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The notion that Anna would want something done now and not shortly is accurate.
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I'm interested in seeing just the girl on the street because she is unlike any other. I'm inspired by whatever it is she might be wearing.
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Part of the pleasure of editing 'Vogue,' one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.
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The best way to make dream come true is to wake up.
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