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If we really feel like we're comfortable in our own skins now, we have a longer period of time to live out that kind of third or fourth act of our life.

Anna Quindlen

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Anna Quindlen
Age: 72
Born: 1952
Born: July 8
Author
Columnist
Journalist
Novelist
Writer
Philadelphia
Pennsylvania
Anna Marie Quindlen
Life
Comfortable
Like
Longer
Live
Fourth
Feel
Third
Feels
Skins
Kind
Thirds
Really
Period
Time
Periods

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For most of my life the only ceremonies I've been to at which women were the stars were weddings. So I like weddings.
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Catastrophe is numerical. Loss is singular, one beloved at a time.
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I go online all the time, I just don't read about myself. I read a fashion website called Go Fug Yourself. I actually correspond with the Fug Girls and that's great.
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I conveniently forgot to remember that people only have two hands, or, as another parent once said of having a third child, it's time for a zone defense instead of man-to-man.
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Look back, to slavery, to suffrage, to integration and one thing is clear. Fashions in bigotry come and go. The right thing lasts.
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We take our vitamins, we go to exercise class, we put on our seat belts. And then something blindsides us and gives the lie to our carefully constructed facade of safety.
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We are writers. We danced with words, as children, in what became familiar patterns. The words became our friends and our companions, and without even saying it aloud, a thought danced with them: I can do this. This is who I am.
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Keeping kids safe is sometimes a delusion. The world is a perilous place. Sometimes the kitchen is a perilous place.
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I think what saved me, as a writer, is that there are really two breaking points in my life. One was when I was 19 and my mother died, and one was when I was 31 and my first child was born. And that sort of gave me a kind of rebirth that I think has been invaluable to me as a novelist, in terms of seeing the world anew.
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The purse is the mirror of the soul.
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I had that feeling you have when you're watching a sad movie, sobbing at the heartbreak you are feeling at the same time that you know the heartbreak isn't exactly real, that it will be gone by the time you get home and make a cup of tea. I found a lot of life like that when I was younger, as though I was practicing for what came later.
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I think there are some stories that need to be told by a specific person as opposed to in the third person.
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Every reader, I suspect, has a book like this somewhere in his or her past, a book that seemed to hold within it, at that moment, all the mysteries of the universe.
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People ask me all the time if I'm from a family of writers. The literal short answer is no, but my father and his brothers and sisters and his mother are all people who would sit around with a Tom Collins and tell stories that seemed to get better and better each time they told them.
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I hadn't written a love story before and I hadn't written a novel with a happy ending before.
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The problem... is emblematic of what hasn't changed during the equal opportunity revolution of the last 20 years. Doors opened opportunities evolved. Law, institutions, corporations moved forward. But many minds did not.
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You can get rid of the column. It's a little like staying at a hotel you get used to the shape of the room, and then you're gone. With a novel you move into town and stay for a long time. That's both comforting and terrifying.
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Behind every door in London there are stories, behind every one ghosts. The greatest writers in the history of the written word have given them substance, given them life. And so we readers walk, and dream, and imagine, in the city where imagination found its great home.
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For many years, despite what I thought were really punitive decisions about women in the church, I stayed and stayed and stayed. I kept saying to myself, The Catholic church is my church, and by God, I'm going to stay here, despite what the hierarchy does.
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Socialized medicine, some still cry, but it's long been socialized, with those covered paying for those who are underinsured. American medicine is simply socialized badly, penny wise and pound foolish.
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