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Ideas are like pizza dough, made to be tossed around, and nearly every book represents what my son's third grade teacher refers to as a teachable moment.

Anna Quindlen

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Anna Quindlen
Age: 72
Born: 1952
Born: July 8
Author
Columnist
Journalist
Novelist
Writer
Philadelphia
Pennsylvania
Anna Marie Quindlen
Like
Teacher
Pizza
Moment
Grade
Moments
Represents
Around
Grades
Ideas
Nearly
Teachable
Book
Third
Refers
Made
Thirds
Tossed
Every
Son
Dough

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One of the useful things about age is realizing conventional wisdom is often simply inertia with a candy coating of conformity.
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I'm sure not afraid of success and I've learned not to be afraid of failure. The only thing I'm afraid of now is of being someone I don't like much.
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A life of unremitting caution, without the carefree - or even, occasionally, the careless - may turn out to be half a life.
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February is a suitable month for dying. Everything around is dead, the trees black and frozen so that the appearance of green shoots two months hence seems preposterous, the ground hard and cold, the snow dirty, the winter hateful, hanging on too long.
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It is difficult for me to imagine the same dedication to women's rights on the part of the kind of man who lives in partnership with someone he likes and respects, and the kind of man who considers breast-augmentation surgery self-improvement.
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I do not like football, which I think of as a game in which two tractors approach each other from opposite directions and collide. Besides, I have contempt for a game in which players have to wear so much equipment. Men play basketball in their underwear, which seems just right to me.
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I'll tell you the truth - I went to a women's college, Barnard, the most selective college for women in America today. If there's one thing I came out of Barnard with, because it was a women's college and a great institution of higher education, it was fearlessness.
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All things being equal, I would choose a woman over a man in order to even the balance of power, to insinuate a different perspective into the process, to give young women something to shoot for and someone to look up to. But all things are rarely equal.
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For most of my adult life, I have been an emotional hit-and- run driver--that is, a reporter. I made people like me, trust me, open their hearts and their minds to me, and cry and bleed on to the pages of my neat little notebooks, and then I went back to a safe place and made a story out of it.
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We are writers. We danced with words, as children, in what became familiar patterns. The words became our friends and our companions, and without even saying it aloud, a thought danced with them: I can do this. This is who I am.
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So you're getting squeezed at both sides. You're taking care of your mom and dad and you're still doing caregiving with your kids, which is not easy. But I think overall, there's a level of satisfaction that might be unparalleled.
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Catastrophe is numerical. Loss is singular, one beloved at a time.
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I think books in which people are really happy and things are going well are probably the most challenging novels there are to write, and there are very few of them.
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As I said, I had this fabulous college education. At college I met the man to whom I've been married for 34 years and who is the father of those three kids. I seriously considered going to another college, and my life would have been completely different in every way.
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After all those years as a woman hearing 'not thin enough, not pretty enough, not smart enough, not this enough, not that enough,' almost overnight I woke up one morning and thought, 'I'm enough.'
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People always blame the girl she should have said no. A monosyllable, but conventional wisdom has always been that boys can't manage it.
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Since the age of five I had been one of those people who was an indefatigable reader, more inclined to go off by myself with a book than do any of the dozens of things that children usually do to amuse themselves. I never aged out of it.
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The greatest public health threat for many American women is the men they live with.
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A man who builds his own pedestal had better use strong cement.
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When an actress takes off her clothes onscreen but a nursing mother is told to leave, what message do we send about the roles of women?
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