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It is important that artists are not outside the equation, we don't stand on the sidelines. Artists are part of the story of a response, we cannot stand aside and let others make the response.

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Story
Sidelines
Artist
Equation
Others
Equations
Cannot
Aside
Stories
Response
Part
Artists
Important
Outside
Make
Stand

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The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
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Being an artist is a very long game. It is not a 10-year game. I hope I'll be around making art when I'm 80
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Work grows out of other work, and there are very few eureka moments
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A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already
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I feel the symbolic world is the nub of a problem for an artist
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If one is talking about sculpture then scale and skin is everything.
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We live in a fractured world. I've always seen it as my role as an artist to attempt to make wholeness.
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You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going
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One doesn't make art for other people, even though I am very concerned with the viewer
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What interests me is the sense of the darkness that we carry within us, the darkness that's akin to one of the principal subjects of the sublime - terror
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One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?
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Red, of course, is the colour of the interior of our bodies. In a way it's inside out, red.
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All ideas grow out of other ideas
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The most important things that one's working on are not necessarily the most important things that one thinks one's working on.
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What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.
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My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing
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One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere.
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One of the great currents in the contemporary experience of art is that it seems to come out of the experience of the author.
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The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately
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That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation.
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