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It is important that artists are not outside the equation, we don't stand on the sidelines. Artists are part of the story of a response, we cannot stand aside and let others make the response.

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Make
Stand
Story
Sidelines
Artist
Equation
Others
Equations
Cannot
Aside
Stories
Response
Part
Artists
Important
Outside

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I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to
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Red, of course, is the colour of the interior of our bodies. In a way it's inside out, red.
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What interests me is the sense of the darkness that we carry within us, the darkness that's akin to one of the principal subjects of the sublime - terror
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I'm not an artist who has an agenda that's set by the work
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My work is not about my life history. It's not about the story of my neurosis
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You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going
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The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
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I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade
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What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.
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If one is talking about sculpture then scale and skin is everything.
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One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere.
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I am Indian, and I'm proud of it. Indian life is mythologically rich and powerful.
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All ideas grow out of other ideas
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One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury
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Re-investing in one's own little moments of insight is very important
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Much of what I make is geometric, and has a kind of almost mathematical logic to the form.
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Work grows out of other work, and there are very few eureka moments
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I, in the end, make art for myself.
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Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic
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Being an artist is a very long game. It is not a 10-year game. I hope I'll be around making art when I'm 80
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