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It is important that artists are not outside the equation, we don't stand on the sidelines. Artists are part of the story of a response, we cannot stand aside and let others make the response.

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Others
Equations
Cannot
Aside
Stories
Response
Part
Artists
Important
Outside
Make
Stand
Story
Sidelines
Artist
Equation

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I am Indian, and I'm proud of it. Indian life is mythologically rich and powerful.
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Red is a colour I've felt very strongly about. Maybe red is a very Indian colour, maybe it's one of those things that I grew up with and recognise at some other level.
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That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation.
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My work is not about my life history. It's not about the story of my neurosis
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The whole point of being an artist is to have no agenda. To say, you know, I don't know what I am going to do tomorrow, I don't know what it's going to look like, and I'm going to have a go at it.
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If you get a bad review, you take that in your stride.
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What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.
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Being an artist is a very long game. It is not a 10-year game. I hope I'll be around making art when I'm 80
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Much of what I make is geometric, and has a kind of almost mathematical logic to the form.
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I, in the end, make art for myself.
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My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing
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You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going
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It's the role of the artist to pursue content
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Content arises out of certain considerations about form, material, context-and that when that subject matter is sufficiently far away.
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It's precisely in those moments when I don't know what to do, boredom drives one to try a host of possibilities to either get somewhere or not get anywhere.
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The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
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All ideas grow out of other ideas
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Artists don't make objects. Artists make mythologies.
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One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?
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