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That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation.

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Seems
Liberation
Way
Psychological
Number
Huge
Numbers
Ways
Freedom
Afforded
Artist
Picasso

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There's something imminent in the work, but the circle is only completed by the viewer.
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Re-investing in one's own little moments of insight is very important
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Much of what I make is geometric, and has a kind of almost mathematical logic to the form.
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The whole point of being an artist is to have no agenda. To say, you know, I don't know what I am going to do tomorrow, I don't know what it's going to look like, and I'm going to have a go at it.
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Red is a colour I've felt very strongly about. Maybe red is a very Indian colour, maybe it's one of those things that I grew up with and recognise at some other level.
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Artists don't make objects. Artists make mythologies.
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I am Indian, and I'm proud of it. Indian life is mythologically rich and powerful.
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I don't want to have anything to say, it just gets in the way. I think the journey of an artist is a journey of discovery and some engagements with paint, with the nature of material, with bodily things...One wants to open the story, not close it.
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Content arises out of certain considerations about form, material, context-and that when that subject matter is sufficiently far away.
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I'm not necessarily interested in being the best Indian artist. I want to be the best artist I can be. That's enough of a declaration of intent.
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It's precisely in those moments when I don't know what to do, boredom drives one to try a host of possibilities to either get somewhere or not get anywhere.
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The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
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Being an artist is a very long game. It is not a 10-year game. I hope I'll be around making art when I'm 80
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One doesn't make art for other people, even though I am very concerned with the viewer
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All ideas grow out of other ideas
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What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.
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One can hardly be Indian and not know that almost every accent, which hand you eat your food with, has some deeper symbolic truth, reality.
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It's the role of the artist to pursue content
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Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic
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I am really interested in the idea that art can reach wider, can go further, can go beyond the art world, why not? People are intelligent, people are visually intelligent, and why shouldn't the work be able to engage some of that?
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