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That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation.

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Freedom
Afforded
Artist
Picasso
Seems
Liberation
Way
Psychological
Number
Huge
Numbers
Ways

More quotes by Anish Kapoor

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Much of what I make is geometric, and has a kind of almost mathematical logic to the form.
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The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
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A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already
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My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing
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Work grows out of other work, and there are very few eureka moments
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What interests me is the sense of the darkness that we carry within us, the darkness that's akin to one of the principal subjects of the sublime - terror
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The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately
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Sculpture occupies the same space as your body.
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You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going
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I, in the end, make art for myself.
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I am really interested in the idea that art can reach wider, can go further, can go beyond the art world, why not? People are intelligent, people are visually intelligent, and why shouldn't the work be able to engage some of that?
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I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to
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One can hardly be Indian and not know that almost every accent, which hand you eat your food with, has some deeper symbolic truth, reality.
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I am Indian, and I'm proud of it. Indian life is mythologically rich and powerful.
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One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere.
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What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.
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Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic
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The most important things that one's working on are not necessarily the most important things that one thinks one's working on.
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It's the role of the artist to pursue content
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I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade
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