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We live in a fractured world. I've always seen it as my role as an artist to attempt to make wholeness.

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Live
Make
Fractured
Always
Wholeness
World
Attempt
Role
Roles
Seen
Artist

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I am Indian, and I'm proud of it. Indian life is mythologically rich and powerful.
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Much of what I make is geometric, and has a kind of almost mathematical logic to the form.
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One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury
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Content arises out of certain considerations about form, material, context-and that when that subject matter is sufficiently far away.
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I am really interested in the idea that art can reach wider, can go further, can go beyond the art world, why not? People are intelligent, people are visually intelligent, and why shouldn't the work be able to engage some of that?
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There's something imminent in the work, but the circle is only completed by the viewer.
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If you get a bad review, you take that in your stride.
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I'm not necessarily interested in being the best Indian artist. I want to be the best artist I can be. That's enough of a declaration of intent.
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Sculpture occupies the same space as your body.
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That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation.
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What interests me is the sense of the darkness that we carry within us, the darkness that's akin to one of the principal subjects of the sublime - terror
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Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic
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Re-investing in one's own little moments of insight is very important
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What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.
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If one is talking about sculpture then scale and skin is everything.
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I think I understand something about space. I think the job of a sculptor is spatial as much as it is to do with form.
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One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?
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One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere.
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Work grows out of other work, and there are very few eureka moments
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It's precisely in those moments when I don't know what to do, boredom drives one to try a host of possibilities to either get somewhere or not get anywhere.
Anish Kapoor