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One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Doe
Aesthetic
Come
Afford
Every
Studio
Life
Studios
Luxury
Oneself
Spend
Propositions
Making
Immense

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The most important things that one's working on are not necessarily the most important things that one thinks one's working on.
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Content arises out of certain considerations about form, material, context-and that when that subject matter is sufficiently far away.
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I am Indian, and I'm proud of it. Indian life is mythologically rich and powerful.
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One doesn't make art for other people, even though I am very concerned with the viewer
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Red is a colour I've felt very strongly about. Maybe red is a very Indian colour, maybe it's one of those things that I grew up with and recognise at some other level.
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Much of what I make is geometric, and has a kind of almost mathematical logic to the form.
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One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?
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One must not believe any of those mythologies about oneself as an artist
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Re-investing in one's own little moments of insight is very important
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A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already
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You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going
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I, in the end, make art for myself.
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Red, of course, is the colour of the interior of our bodies. In a way it's inside out, red.
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If one is talking about sculpture then scale and skin is everything.
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One of the great currents in the contemporary experience of art is that it seems to come out of the experience of the author.
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I'm not an artist who has an agenda that's set by the work
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My work is not about my life history. It's not about the story of my neurosis
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All ideas grow out of other ideas
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We live in a fractured world. I've always seen it as my role as an artist to attempt to make wholeness.
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Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic
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