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Much of what I make is geometric, and has a kind of almost mathematical logic to the form.

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Mathematical
Logic
Almost
Form
Much
Kind
Make
Geometric

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If one is talking about sculpture then scale and skin is everything.
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Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic
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All ideas grow out of other ideas
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The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately
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The whole point of being an artist is to have no agenda. To say, you know, I don't know what I am going to do tomorrow, I don't know what it's going to look like, and I'm going to have a go at it.
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Is it my role as an artist to say something, to express, to be expressive? I think it's my role as an artist to bring to expression, it's not my role to be expressive.
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Re-investing in one's own little moments of insight is very important
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One doesn't make art for other people, even though I am very concerned with the viewer
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I am really interested in the idea that art can reach wider, can go further, can go beyond the art world, why not? People are intelligent, people are visually intelligent, and why shouldn't the work be able to engage some of that?
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My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing
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If you get a bad review, you take that in your stride.
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I'm not an artist who has an agenda that's set by the work
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The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
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I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to
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I don't want to have anything to say, it just gets in the way. I think the journey of an artist is a journey of discovery and some engagements with paint, with the nature of material, with bodily things...One wants to open the story, not close it.
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That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation.
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You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going
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One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury
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I am Indian, and I'm proud of it. Indian life is mythologically rich and powerful.
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What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.
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