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Much of what I make is geometric, and has a kind of almost mathematical logic to the form.

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Mathematical
Logic
Almost
Form
Much
Kind
Make
Geometric

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What interests me is the sense of the darkness that we carry within us, the darkness that's akin to one of the principal subjects of the sublime - terror
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I am really interested in the idea that art can reach wider, can go further, can go beyond the art world, why not? People are intelligent, people are visually intelligent, and why shouldn't the work be able to engage some of that?
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My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing
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One of the great currents in the contemporary experience of art is that it seems to come out of the experience of the author.
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One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere.
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The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
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Re-investing in one's own little moments of insight is very important
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I, in the end, make art for myself.
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I think I understand something about space. I think the job of a sculptor is spatial as much as it is to do with form.
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If one is talking about sculpture then scale and skin is everything.
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I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade
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The most important things that one's working on are not necessarily the most important things that one thinks one's working on.
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I don't want to have anything to say, it just gets in the way. I think the journey of an artist is a journey of discovery and some engagements with paint, with the nature of material, with bodily things...One wants to open the story, not close it.
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A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already
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Red is a colour I've felt very strongly about. Maybe red is a very Indian colour, maybe it's one of those things that I grew up with and recognise at some other level.
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You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going
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One must not believe any of those mythologies about oneself as an artist
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Artists don't make objects. Artists make mythologies.
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What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.
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Content arises out of certain considerations about form, material, context-and that when that subject matter is sufficiently far away.
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