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Much of what I make is geometric, and has a kind of almost mathematical logic to the form.

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Almost
Form
Much
Kind
Make
Geometric
Mathematical
Logic

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I feel the symbolic world is the nub of a problem for an artist
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I, in the end, make art for myself.
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I don't want to have anything to say, it just gets in the way. I think the journey of an artist is a journey of discovery and some engagements with paint, with the nature of material, with bodily things...One wants to open the story, not close it.
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The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
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A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already
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It's precisely in those moments when I don't know what to do, boredom drives one to try a host of possibilities to either get somewhere or not get anywhere.
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One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?
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Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic
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If one is talking about sculpture then scale and skin is everything.
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There's something imminent in the work, but the circle is only completed by the viewer.
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Being an artist is a very long game. It is not a 10-year game. I hope I'll be around making art when I'm 80
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Is it my role as an artist to say something, to express, to be expressive? I think it's my role as an artist to bring to expression, it's not my role to be expressive.
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Sculpture occupies the same space as your body.
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Re-investing in one's own little moments of insight is very important
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The eye is a very quick instrument, much quicker than the ear. The eye gets it immediately
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One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere.
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It is important that artists are not outside the equation, we don't stand on the sidelines. Artists are part of the story of a response, we cannot stand aside and let others make the response.
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What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.
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Red is a colour I've felt very strongly about. Maybe red is a very Indian colour, maybe it's one of those things that I grew up with and recognise at some other level.
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What interests me is the sense of the darkness that we carry within us, the darkness that's akin to one of the principal subjects of the sublime - terror
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