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One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Fuzzy
Contemporary
Space
Spiritual
Cannot
Work
Make
Iconography

More quotes by Anish Kapoor

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Much of what I make is geometric, and has a kind of almost mathematical logic to the form.
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Is it my role as an artist to say something, to express, to be expressive? I think it's my role as an artist to bring to expression, it's not my role to be expressive.
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I feel the symbolic world is the nub of a problem for an artist
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I'm not necessarily interested in being the best Indian artist. I want to be the best artist I can be. That's enough of a declaration of intent.
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My work is not about my life history. It's not about the story of my neurosis
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One can hardly be Indian and not know that almost every accent, which hand you eat your food with, has some deeper symbolic truth, reality.
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What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.
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I, in the end, make art for myself.
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All ideas grow out of other ideas
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My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing
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What interests me is the sense of the darkness that we carry within us, the darkness that's akin to one of the principal subjects of the sublime - terror
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Red is a colour I've felt very strongly about. Maybe red is a very Indian colour, maybe it's one of those things that I grew up with and recognise at some other level.
Anish Kapoor
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A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already
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If one is talking about sculpture then scale and skin is everything.
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One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury
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You know that day after day of, Oh God what am I going to do with myself feeling? The fear of the emptiness that it implies keeps me going
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The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
Anish Kapoor
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If you get a bad review, you take that in your stride.
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I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to
Anish Kapoor
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It's the role of the artist to pursue content
Anish Kapoor