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One can hardly be Indian and not know that almost every accent, which hand you eat your food with, has some deeper symbolic truth, reality.

Anish Kapoor

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Anish Kapoor
Age: 70
Born: 1954
Born: March 12
Architect
Drawer
Jewelry Designer
Painter
Scenographer
Sculptor
Visual Artist
Bombay
Sir Anish Kapoor
Sir Anish Mikhail Kapoor
Anish Mikhail Kapoor
Deeper
Food
Hand
Almost
Accent
Reality
Symbolic
Hands
Accents
Truth
Hardly
Every
Indian

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I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to
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If one is talking about sculpture then scale and skin is everything.
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All ideas grow out of other ideas
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A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already
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My work is not about my life history. It's not about the story of my neurosis
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Red is a colour I've felt very strongly about. Maybe red is a very Indian colour, maybe it's one of those things that I grew up with and recognise at some other level.
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I, in the end, make art for myself.
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We live in a fractured world. I've always seen it as my role as an artist to attempt to make wholeness.
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If you get a bad review, you take that in your stride.
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What interests me is the sense of the darkness that we carry within us, the darkness that's akin to one of the principal subjects of the sublime - terror
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Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic
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I feel the symbolic world is the nub of a problem for an artist
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Red, of course, is the colour of the interior of our bodies. In a way it's inside out, red.
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I'm not an artist who has an agenda that's set by the work
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It is important that artists are not outside the equation, we don't stand on the sidelines. Artists are part of the story of a response, we cannot stand aside and let others make the response.
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It's the role of the artist to pursue content
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Much of what I make is geometric, and has a kind of almost mathematical logic to the form.
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My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing
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One cannot set out to make a work that's spiritual. What is a contemporary iconography for the spiritual? Is it some fuzzy space?
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One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere.
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