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A young girl would go into the wood as trustingly as Red Riding Hood to her granny's house but this light admits no ambiguities and, here, she will be trapped in her own illusion because everything in the woods is exactly as it seems.
Angela Carter
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Angela Carter
Age: 51 †
Born: 1940
Born: May 7
Died: 1992
Died: February 16
Author
Journalist
Linguist
Novelist
Science Fiction Writer
Screenwriter
Translator
Writer
Eastbourne
Sussex
Angela Olive Stalker Carter
Angela Olive Carter
Angela Olive Stalker
Angela Olive Pearce
Light
Trapped
Seems
Riding
Young
Red
Ambiguities
Everything
Woods
Granny
Would
Illusion
Admits
Exactly
Hood
Girl
Ambiguity
House
Wood
More quotes by Angela Carter
Nostalgia, the vice of the aged. We watch so many old movies our memories come in monochrome.
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In a secular age, an authentic miracle must purport to be a hoax, in order to gain credit in the world.
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Not many people can boast a photo of their grandmother posing for kiddiporn.
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Home is where the heart is and hence a movable feast.
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Though I still turn up my coat-collar in a lonely way and am always looking at myself in mirrors, they’re only habits and give no clue at all to my character, whatever that is. The most difficult performance in the world is acting naturally isn’t it? Everything else is artful.
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Vengeful as nature herself, she loves her children only in order to devour them better and if she herself rips her own veils of self-deceit, Mother perceives in herself untold abysses of cruelty as subtle as it is refined.
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A fairy tale is the kind of story in which one king goes to another king to borrow a cup of sugar
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And each stroke of his tongue ripped off skin after successive skin, all the skins of a life in the world, and left behind a nascent patina of shining hairs. My earrings turned back to water and trickled down my shoulders I shrugged the drops off my beautiful fur.
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Cats of all kinds weave in and out of the text Burroughs has clearly taken to them in a big way in his old age and seems torn between a fear they will betray him into sentimentality and a resigned acceptance that a man can't be ironic all the time.
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They will be like shadows, they will be like wraiths, gray members of a congregation of nightmare hark! his long wavering howl . . . an aria of fear made audible. The wolfsong is the sound of the rending you will suffer, in itself a murdering.
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The kind of power mothers have is enormous. Take the skyline of Istanbul - enormous breasts, pathetic little willies, a final revenge on Islam. I was so scared I had to crouch in the bottom of the boat when I saw it.
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They were connoisseurs of boredom. They savoured the various bouquets of the subtly differentiated boredoms which rose from the long, wasted hours at the dead end of night.
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Pornography is a satire on human pretensions.
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In a world where women are commodities, a woman who refuses to sell herself will have the thing she refuses to sell taken away from her by force
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He is the intermediary between us, his audience, the living, and they, the dolls, the undead, who cannot live at all and yet who mimic the living in every detail since, though they cannot speak or weep, still they project those signals of signification we instantly recognize as language.
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Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
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Proposition one: time is a man, space is a woman.
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Not for Moorcock the painful, infrequent excretion of dry little novels like so many rabbit pellets his is the grand, messy fluxitself, in all its heroic vulgarity, its unquenchable optimism, its enthusiasm for the inexhaustible variousness of things.
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The wolf is carnivore incarnate and he's as cunning as he is ferocious once he's had a taste of flesh then nothing else will do.
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At the best of times, spring hurts depressives.
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