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Sad so sad, those smoky-rose, smoky-mauve evenings of late Autumn, sad enough to pierce the heart.
Angela Carter
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Angela Carter
Age: 51 †
Born: 1940
Born: May 7
Died: 1992
Died: February 16
Author
Journalist
Linguist
Novelist
Science Fiction Writer
Screenwriter
Translator
Writer
Eastbourne
Sussex
Angela Olive Stalker Carter
Angela Olive Carter
Angela Olive Stalker
Angela Olive Pearce
Evening
Sadness
Rose
Mauve
Late
Smoky
Enough
Evenings
Heart
Pierce
Sad
Autumn
More quotes by Angela Carter
Art need no longer be an account of past sensations.
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Love is desire sustained by unfulfilment.
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And, oh God, in my misspent youth as a housewife, I, too, used to bake bread, in those hectic and desolating days just prior to the woman's movement, when middle-class women were supposed to be wonderful wives and mothers, gracious hostesses.... I used to feel so womanly when I was baking my filthy bread.
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The bed is now as public as the dinner table and governed by the same rules of formal confrontation.
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She stood lost in eternity wearing a crazy dress, watching the immense sky.
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If the Barbarians are destroyed, who will we then be able to blame for the bad things?
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Cats of all kinds weave in and out of the text Burroughs has clearly taken to them in a big way in his old age and seems torn between a fear they will betray him into sentimentality and a resigned acceptance that a man can't be ironic all the time.
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The end of all stories, even if the writer forebears to mention it, is death, which is where time stops short. Sheherezade knew this, which is why she kept on spinning another story out of the bowels of the last one, never coming to a point where she could say: This is the end. Because it would have been.
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There are lots of things that you can brush under the carpet about yourself until you're faced with somebody whose needs won't be put off.
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It may be the first in what I trust will be a rapidly growing and influential genre--the novel designed on purpose to be excludedfrom the Booker short-list.
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Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
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As for my father, few souls are less troubled. He can be simply pleased with us, pleased that we exist, and, from the vantage point of his wondrously serene old age, he contemplates our lives almost as if they were books he can dip into whenever he wants. His back pages, perhaps.
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In a secular age, an authentic miracle must purport to be a hoax, in order to gain credit in the world.
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Vengeful as nature herself, she loves her children only in order to devour them better and if she herself rips her own veils of self-deceit, Mother perceives in herself untold abysses of cruelty as subtle as it is refined.
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How far does a pretence of feeling, maintained with absolute conviction, become authentic?
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Though I still turn up my coat-collar in a lonely way and am always looking at myself in mirrors, they’re only habits and give no clue at all to my character, whatever that is. The most difficult performance in the world is acting naturally isn’t it? Everything else is artful.
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There is a striking resemblance between the act of love and the ministrations of a torturer.
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Proposition one: time is a man, space is a woman.
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A book is simply the container of an idea-like a bottle what is inside the book is what matters.
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Anxiety is the beginning of conscience, which is the parent of the soul but is not compatible with innocence.
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