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The bed is now as public as the dinner table and governed by the same rules of formal confrontation.

Angela Carter

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Angela Carter
Age: 51 †
Born: 1940
Born: May 7
Died: 1992
Died: February 16
Author
Journalist
Linguist
Novelist
Science Fiction Writer
Screenwriter
Translator
Writer
Eastbourne
Sussex
Angela Olive Stalker Carter
Angela Olive Carter
Angela Olive Stalker
Angela Olive Pearce
Rules
Public
Confrontation
Sleep
Governed
Formal
Table
Tables
Bed
Dinner

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Losing their names, these things underwent a process of uncreation.
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Sade has a curious ability to render every aspect of sexuality suspect, so that we see how the chaste kiss of the sentimental lover differs only in degree from the vampirish love-bite that draws blood, we understand that a disinterested caress is only quantitatively different from a disinterested flogging.
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My mother learned that she was carrying me at about the same time the Second World War was declared with the family talent for magic realism, she once told me she had been to the doctor's on the very day.
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To pin your hopes upon the future is to consign those hopes to a hypothesis, which is to say, a nothingness. Here and now is what we must contend with.
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Before he can become a wolf, the lycanthrope strips naked. If you spy a naked man among the pines, you must run as if the Devil were after you.
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I see her as a series of marvellous shapes formed at random in the kaleidoscope of desire.
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Spindly branches of buttercups were secreted among gleaming stems still moist at the roots from last night's rain that had washedand refreshed the entire wood, had dowered it in poignant transparency, the unique, inconsolable quality of rainy countries, as if all was glimpsed through tears.
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All artists, they say, are a little mad. This madness is, to a certain extent, a self-created myth designed to keep the generality away from the phenomenally close-knit creative community. Yet, in the world of the artists, the consciously eccentric are always respectful and admiring if those who have the courage to be genuinely a little mad.
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we must not blame our poor symbols if they take forms that seem trivial to us, or absurd, ... however paltry they may be the nature of our life alone has determined their forms.
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The notion of a universality of human experience is a confidence trick and the notion of a universality of female experience is a clever confidence trick.
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