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Nostalgia, the vice of the aged.
Angela Carter
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Angela Carter
Age: 51 †
Born: 1940
Born: May 7
Died: 1992
Died: February 16
Author
Journalist
Linguist
Novelist
Science Fiction Writer
Screenwriter
Translator
Writer
Eastbourne
Sussex
Angela Olive Stalker Carter
Angela Olive Carter
Angela Olive Stalker
Angela Olive Pearce
Nostalgia
Vice
Vices
Aged
More quotes by Angela Carter
I should have liked to have had him beside me in a glass coffin, so that I could watch him all the time and he would not have been able to get away from me.
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My mother learned that she was carrying me at about the same time the Second World War was declared with the family talent for magic realism, she once told me she had been to the doctor's on the very day.
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I see her as a series of marvellous shapes formed at random in the kaleidoscope of desire.
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Pornographers are the enemies of women only because our contemporary ideology of pornography does not encompass the possibility of change, as if we were the slaves of history and not its makers. . . . Pornography is a satire on human pretensions.
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There was a house we all had in common and it was called the past, even though we'd lived in different rooms.
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If Miss means respectably unmarried, and Mrs. respectably married, then Ms. means nudge, nudge, wink, wink.
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You were the living image of the entire Platonic shadow show, an illusion that could fill my emptiness with marvellous, imaginary things as long as, just as long as, the movie lasted, and then all would all vanish.
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I haven't changed much, over the years. I use less adjectives, now, and have a kinder heart, perhaps.
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[T]ea, that uniquely English meal, that unnecessary collation at which no stimulants--neither alcohol nor meat--are served, that comforting repast of which to partake is as good as second childhood.
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Some cities are women and must be loved others are men and can only be admired or bargained with
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There is a striking resemblance between the act of love and the ministrations of a torturer.
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We do not go to bed in single pairs even if we choose not to refer to them, we still drag there with us the cultural impedimenta of our social class, our parents' lives, our bank balances, our sexual and emotional expectations, our whole biographies-all the bits and pieces of our unique existences.
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Comedy is tragedy that happens to other people.
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She said to the Daisy girl with her big brown eyes: 'I will not have it plain. No. Fancy. It must be fancy!' She meant her future. A moon-daisy dropped to the floor, down from her hair, like a faintly derisive sign from heaven.
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Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
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In a secular age, an authentic miracle must purport to be a hoax, in order to gain credit in the world.
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It is far easier for a woman to lead a blameless life than it is for a man all she has to do is to avoid sexual intercourse like the plague.
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A broken heart is never a tragedy. Only untimely death is a tragedy.
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Vengeful as nature herself, she loves her children only in order to devour them better and if she herself rips her own veils of self-deceit, Mother perceives in herself untold abysses of cruelty as subtle as it is refined.
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Reading a book is like re-writing it for yourself. You bring to a novel, anything you read, all your experience of the world. You bring your history and you read it in your own terms.
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