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The kind of power mothers have is enormous. Take the skyline of Istanbul - enormous breasts, pathetic little willies, a final revenge on Islam. I was so scared I had to crouch in the bottom of the boat when I saw it.
Angela Carter
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Angela Carter
Age: 51 †
Born: 1940
Born: May 7
Died: 1992
Died: February 16
Author
Journalist
Linguist
Novelist
Science Fiction Writer
Screenwriter
Translator
Writer
Eastbourne
Sussex
Angela Olive Stalker Carter
Angela Olive Carter
Angela Olive Stalker
Angela Olive Pearce
Power
Finals
Skylines
Littles
Boat
Istanbul
Little
Islam
Pathetic
Take
Enormous
Motherhood
Kind
Scared
Breasts
Bottom
Mothers
Saws
Revenge
Skyline
Mother
Final
Crouch
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I should have liked to have had him beside me in a glass coffin, so that I could watch him all the time and he would not have been able to get away from me.
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Reading a book is like re-writing it for yourself. You bring to a novel, anything you read, all your experience of the world. You bring your history and you read it in your own terms.
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The wolf is carnivore incarnate and he's as cunning as he is ferocious once he's had a taste of flesh then nothing else will do.
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I think the adjective post-modernist really means mannerist. Books about books is fun but frivolous.
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Though I still turn up my coat-collar in a lonely way and am always looking at myself in mirrors, they’re only habits and give no clue at all to my character, whatever that is. The most difficult performance in the world is acting naturally isn’t it? Everything else is artful.
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Proposition one: time is a man, space is a woman.
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The lovely Hazard girls', they used to call them. Huh. Lovely is as lovely does if they looked like what they behave like, they'd frighten little children.
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She stands and moves within the invisible pentacle of her own virginity. She is an unbroken egg: she is a sealed vessel she has inside her a magic space the entrance to which is shut tight with a plug of membrane she is a closed system she does not know how to shiver.
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Losing their names, these things underwent a process of uncreation.
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Sade has a curious ability to render every aspect of sexuality suspect, so that we see how the chaste kiss of the sentimental lover differs only in degree from the vampirish love-bite that draws blood, we understand that a disinterested caress is only quantitatively different from a disinterested flogging.
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Stars on our door, stars in our eyes, stars exploding in the bits of our brains where the common sense should have been
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