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The kind of power mothers have is enormous. Take the skyline of Istanbul - enormous breasts, pathetic little willies, a final revenge on Islam. I was so scared I had to crouch in the bottom of the boat when I saw it.
Angela Carter
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Angela Carter
Age: 51 †
Born: 1940
Born: May 7
Died: 1992
Died: February 16
Author
Journalist
Linguist
Novelist
Science Fiction Writer
Screenwriter
Translator
Writer
Eastbourne
Sussex
Angela Olive Stalker Carter
Angela Olive Carter
Angela Olive Stalker
Angela Olive Pearce
Bottom
Mothers
Saws
Revenge
Skyline
Mother
Final
Crouch
Power
Finals
Skylines
Littles
Boat
Istanbul
Little
Islam
Pathetic
Take
Enormous
Motherhood
Kind
Scared
Breasts
More quotes by Angela Carter
His wedding gift, clasped round my throat. A choker of rubies, two inches wide, like an extraordinarily precious slit throat.
Angela Carter
I should have liked to have had him beside me in a glass coffin, so that I could watch him all the time and he would not have been able to get away from me.
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Reading a book is like re-writing it for yourself. You bring to a novel, anything you read, all your experience of the world. You bring your history and you read it in your own terms.
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Not many people can boast a photo of their grandmother posing for kiddiporn.
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The lovely Hazard girls', they used to call them. Huh. Lovely is as lovely does if they looked like what they behave like, they'd frighten little children.
Angela Carter
And each stroke of his tongue ripped off skin after successive skin, all the skins of a life in the world, and left behind a nascent patina of shining hairs. My earrings turned back to water and trickled down my shoulders I shrugged the drops off my beautiful fur.
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A mother is always a mother, since a mother is a biological fact, whilst a father is a movable feast.
Angela Carter
Mother goddesses are just as silly a notion as father gods. If a revival of the myths of these cults gives woman emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.
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Not for Moorcock the painful, infrequent excretion of dry little novels like so many rabbit pellets his is the grand, messy fluxitself, in all its heroic vulgarity, its unquenchable optimism, its enthusiasm for the inexhaustible variousness of things.
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The invisible is only another unexplored country, a brave new world.
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The end of exile is the end of being.
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In a secular age, an authentic miracle must purport to be a hoax, in order to gain credit in the world.
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For most of human history, 'literature,' both fiction and poetry, has been narrated, not written — heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.
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Proposition one: time is a man, space is a woman.
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It may be the first in what I trust will be a rapidly growing and influential genre--the novel designed on purpose to be excludedfrom the Booker short-list.
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That is what I'm looking forward to the most, practical learning. I want to be a registered nurse so getting to talk to people who already work in those jobs can really teach me what to expect when I get out in the real world.
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The notion of a universality of human experience is a confidence trick and the notion of a universality of female experience is a clever confidence trick.
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He is the intermediary between us, his audience, the living, and they, the dolls, the undead, who cannot live at all and yet who mimic the living in every detail since, though they cannot speak or weep, still they project those signals of signification we instantly recognize as language.
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I haven't changed much, over the years. I use less adjectives, now, and have a kinder heart, perhaps.
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And, oh God, in my misspent youth as a housewife, I, too, used to bake bread, in those hectic and desolating days just prior to the woman's movement, when middle-class women were supposed to be wonderful wives and mothers, gracious hostesses.... I used to feel so womanly when I was baking my filthy bread.
Angela Carter