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Many times when you make a movie, it feels like your biggest mistake. But even if a film isn't a hit, you shouldn't view it as a mistake.
Ang Lee
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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
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Cháozhōu Zhèn
Lǐ Ān
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More quotes by Ang Lee
I had to find my way of translating the excitement you get when you're reading comic books to the big screen.
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If you try to act, you're going to look like you're acting. So don't act.
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3D is quite a lot more advanced in animated movies for live-action movies we're just taking baby steps, we're just in the beginning.
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As artists, we like night more than day sometimes.
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I wanted to shoot straight, mainstream, somehow off-beat. Not only realistic West, which is quite unfamiliar to the world's population - even to a lot of Americans.
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I'm not a romantic. In life I didn't have much experience with romance.
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Mostly it's like, I get inspired by something and I want to learn that part of filmmaking, I want to delve into that kind of depth. And leading, also, a lot of people. A lot of people, for two years of their life they follow me, and they believe what I believe in. So that's some responsibility and I'd like to make it worth the effort.
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Beautifully-acted and precisely observed, ILO ILO is an amazing debut, full of heart and intelligence.
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There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that he's not reading. And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
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Not taboo - it's just that straight actors still risk their careers commercially and economically. They have to please the crowd - they're movie stars their image is their industry. It goes beyond acting.
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I like to do drama, something about life that could be disappointing.
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When I see something I like, that's all that counts. What they use, how they get there, I never bother them.
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I think that at heart I am an old-fashioned Chinese, really I am.
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My father's family were liquidated during the Cultural Revolution in China because they were landowners. He was the only one to escape. I was born and brought up in Taiwan. But you absorb the trauma. My parents had no sense of security.
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On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy.
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No matter how widely spread out the films are, how different, you still are you.
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Making movies is a way of understanding myself and the world.
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I think great romance needs great obstacles and textures.
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So there was one point I thought I was gonna lose it, but once I get on something I have to finish it I just kept persuading them and they turned around. One good thing was the international guys really stood behind this movie, they thought they could support this film. So these guys step up and that's really good, and then they turned around.
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I'm a drifter and an outsider. There's not one single environment I can totally belong to.
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