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If there's something that can be formulated, regulated, give you security, then nobody would lose money. Every movie would be successful. And that's certainly not the case.
Ang Lee
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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
Giving
Lose
Every
Security
Something
Loses
Formulated
Would
Movie
Regulated
Successful
Case
Actors
Certainly
Money
Nobody
Give
Cases
More quotes by Ang Lee
I feel that everyone has a Hulk inside, and each of our Hulks is both scary and, potentially, pleasurable. That's the scariest thing about them.
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Emotions serve characters' purposes. That is their motivation.
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When I see something I like, that's all that counts. What they use, how they get there, I never bother them.
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I'm not a master of films. I'm rather a slave.
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Usually with this genre the first thing that happens is a good fight sequence to show that you're in good hands. So we broke that rule. I think a lot of that comes from the western audience.
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When there is a strong woman character in a story - that always grabs me
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I think the book struck me in a few ways that I thought very interesting to pick it as my first martial arts film. It has a very strong female character and it was very abundant in classic Chinese textures.
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I don't like to deal with studios. I don't like to have conversations with executives. I pitch to the studio, then never talk to them until the test screening.
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I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.
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The most mysterious feminine factor, the existence that we men, we don't know. It's woman. It's feminine. That's what the sword is about. That's the symbolic meaning of the sword.
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These days I'm mostly familiar with two parts of L.A.: one is movie culture, and the other is Asian culture. The Westside is work, and the Eastside is Chinese - which means my friends.
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It's just what I am. When I am in the zone making one movie, I just didn't want to read anything else or do anything else, so I don't really develop projects.
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I'm just a pretty regular dad.
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Every movie is unknown.
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I don't have a checklist. Whatever material excites me, they'll call for a certain genre or combination of genres. It'll come naturally and I'll be eager to learn how that thing works. I learn the rules, and I'll probably break some of them.
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If it was a choice between making movies and doing nothing, he'd probably still wish me to make movies, So he made me keep going.
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Directing, I get all kinds of inspiration. It's working with people. It's a lot more fun.
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Kids don't even read comic books anymore. They've got more important things to do - like video games.
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On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy.
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I wanted to shoot straight, mainstream, somehow off-beat. Not only realistic West, which is quite unfamiliar to the world's population - even to a lot of Americans.
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