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Over the years Woodstock got glorified and romanticised and became the event that symbolised Utopia. It's the last page of our collective memory of the age of innocence. Then things turned ugly and would never be the same again.

Ang Lee

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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
Years
Turned
Collective
Things
Pages
Birthday
Never
Became
Innocence
Would
Events
Event
Memories
Aging
Woodstock
Age
Page
Glorified
Lasts
Ugly
Utopia
Last
Memory
Collectives

More quotes by Ang Lee

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I think that at heart I am an old-fashioned Chinese, really I am.
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Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive.
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My first instinct was to cast as close to the short story as possible, but then I realized that I needed actors who could go for it and that they had to function well as a couple in a love story.
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I took the name Green Destiny from - well there is such a sword called Green Destiny. It is green because you keep twisting it, it's an ancient skill, you keep twisting it and knocking it and twisting it until it is very elastic and light.
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Kids don't even read comic books anymore. They've got more important things to do - like video games.
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If the movie is quiet I generally feel the audience is busy. That's when they're working.
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I grew up pretty peacefully, in that Eastern way. You easily solve problems, believe in harmony. Reduce conflicts, take orders until one day you give orders.
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Making movies is a way of understanding myself and the world.
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I think the book struck me in a few ways that I thought very interesting to pick it as my first martial arts film. It has a very strong female character and it was very abundant in classic Chinese textures.
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Sensitivity and money are like parallel lines. They don't meet.
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Now I'm kind of established as a director, I much prefer directing to writing.
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My father was the center of the family, and everyone tried to please him.
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3D is quite a lot more advanced in animated movies for live-action movies we're just taking baby steps, we're just in the beginning. So when I think of doing that I was very excited. It didn't go as far as I think it should, I'm still a novice, but I think it's fair to say it's a new cinematic medium, experience.
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I think doing period piece is easier, because after a certain distance, everybody is equal, I think. The relative contemporary is harder. I think that's the way it is.
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No matter how widely spread out the films are, how different, you still are you.
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The fear factor actually brings the genuineness.
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Directing, I get all kinds of inspiration. It's working with people. It's a lot more fun.
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When you talk about God, the first thing that comes along is not love, it's fear. You have to fear, and be in awe. You have to be scared. Any religion, it's like first thing.
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3D is quite a lot more advanced in animated movies for live-action movies we're just taking baby steps, we're just in the beginning.
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Usually with this genre the first thing that happens is a good fight sequence to show that you're in good hands. So we broke that rule. I think a lot of that comes from the western audience.
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