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To me, Ennis stands for the conservative side of America. He's the biggest homophobe in the whole movie - culturally and psychologically - but by the time he admits his feelings, it's too late.
Ang Lee
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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
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Writer
Cháozhōu Zhèn
Lǐ Ān
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Homophobes
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America
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More quotes by Ang Lee
A movie is really provocation. It's not a message, it's not a statement.
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Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive.
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When something possesses me, I go ahead and do it.
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I'm aware of what's missing from my life.
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The L.A. weather is a lot like Taiwan's, where you don't observe four seasons, so the years can pass and you don't feel a thing.
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I don't have a checklist. Whatever material excites me, they'll call for a certain genre or combination of genres. It'll come naturally and I'll be eager to learn how that thing works. I learn the rules, and I'll probably break some of them.
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There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that he's not reading. And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
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Economically, it’s more expensive to make movies. I hope digital movies change that.
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Directing, I get all kinds of inspiration. It's working with people. It's a lot more fun.
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I like to do drama, something about life that could be disappointing.
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Depending on the budget [whether to use 3D on future movies]. I think I prefer 3D to 2D now. Also, because of 3D I have to use a digital camera, which is the way it's going anyway. That still confuses me, a digital camera versus film.
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My first instinct was to cast as close to the short story as possible, but then I realized that I needed actors who could go for it and that they had to function well as a couple in a love story.
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I wanted to shoot straight, mainstream, somehow off-beat. Not only realistic West, which is quite unfamiliar to the world's population - even to a lot of Americans.
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I'm just a pretty regular dad.
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If the movie is quiet I generally feel the audience is busy. That's when they're working.
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Americans are hidden dragons to me.
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I have a lot of repression. So repression is what I make movies about.
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I grew up pretty much prevented from knowing anything from Communist China except that they were the bad guys that stole our country.
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Usually with this genre the first thing that happens is a good fight sequence to show that you're in good hands. So we broke that rule. I think a lot of that comes from the western audience.
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If there's something that can be formulated, regulated, give you security, then nobody would lose money. Every movie would be successful. And that's certainly not the case.
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