Quote

The most mysterious feminine factor, the existence that we men, we don't know. It's woman. It's feminine. That's what the sword is about. That's the symbolic meaning of the sword.

Ang Lee

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TAGS & TOPICS

Ang Lee
Age: 69
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
Feminine
Factors
Mysterious
Meaning
Existence
Woman
Sword
Men
Symbolic
Factor

More quotes by Ang Lee

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I'm not a romantic. In life I didn't have much experience with romance.
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Economically, it’s more expensive to make movies. I hope digital movies change that.
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Not taboo - it's just that straight actors still risk their careers commercially and economically. They have to please the crowd - they're movie stars their image is their industry. It goes beyond acting.
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I don't like to deal with studios. I don't like to have conversations with executives. I pitch to the studio, then never talk to them until the test screening.
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I think doing period piece is easier, because after a certain distance, everybody is equal, I think. The relative contemporary is harder. I think that's the way it is.
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In the past I've made movies that were pretty universally liked. You can't really hate them. You can discard them, but you can't really hate them.
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I feel that everyone has a Hulk inside, and each of our Hulks is both scary and, potentially, pleasurable. That's the scariest thing about them.
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I wanted to shoot straight, mainstream, somehow off-beat. Not only realistic West, which is quite unfamiliar to the world's population - even to a lot of Americans.
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I think great romance needs great obstacles and textures.
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I don't have incredible knowledge about films or of filmmaking history I'm not that kind of person.
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Depending on the budget [whether to use 3D on future movies]. I think I prefer 3D to 2D now. Also, because of 3D I have to use a digital camera, which is the way it's going anyway. That still confuses me, a digital camera versus film.
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I feel like all of my characters now take this congested situation, they clash, and from there you purge yourself.
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I think that at heart I am an old-fashioned Chinese, really I am.
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So many times you see beautiful lovemaking scenes with a lot of exposure or an awkward lovemaking scene, but I think it's very rare that you see it private.
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On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy.
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Sensitivity and money are like parallel lines. They don't meet.
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It's just what I am. When I am in the zone making one movie, I just didn't want to read anything else or do anything else, so I don't really develop projects.
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When there is a strong woman character in a story - that always grabs me
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My cultural roots are something illusive.
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Meanwhile, the Ice Storm was still in development, And that was something I really wanted to do, and frankly I don't think I was ready to do a big production like this.
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