Quote

So many times you see beautiful lovemaking scenes with a lot of exposure or an awkward lovemaking scene, but I think it's very rare that you see it private.

Ang Lee

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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
Beautiful
Lovemaking
Many
Exposure
Think
Awkward
Thinking
Scenes
Rare
Private
Scene
Times

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I see a movie as a way of learning about the world, about myself, and learning about my relationship with people and art.
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I find it hard to deliver straightforward things.
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Directing, I get all kinds of inspiration. It's working with people. It's a lot more fun.
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There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that he's not reading. And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
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My first instinct was to cast as close to the short story as possible, but then I realized that I needed actors who could go for it and that they had to function well as a couple in a love story.
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The most mysterious feminine factor, the existence that we men, we don't know. It's woman. It's feminine. That's what the sword is about. That's the symbolic meaning of the sword.
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My cultural roots are something illusive.
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Emotions serve characters' purposes. That is their motivation.
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I just did a dramatic love story. Whether it's a cultural phenomenon is not for me to say.
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Kids don't even read comic books anymore. They've got more important things to do - like video games.
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Meanwhile, the Ice Storm was still in development, And that was something I really wanted to do, and frankly I don't think I was ready to do a big production like this.
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With 3D you're right there immersed in the world.
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When you talk about God, the first thing that comes along is not love, it's fear. You have to fear, and be in awe. You have to be scared. Any religion, it's like first thing.
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I'm not a romantic. In life I didn't have much experience with romance.
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These days I'm mostly familiar with two parts of L.A.: one is movie culture, and the other is Asian culture. The Westside is work, and the Eastside is Chinese - which means my friends.
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My mother loves me and everything goes well. I have no conflict with her, so that's not dramatic.
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After making several tragic movies in a row, I was looking to do a comedy, and one without cynicism.
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Economically, it’s more expensive to make movies. I hope digital movies change that.
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I like to think I'm un-categorisable.
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I wanted to shoot straight, mainstream, somehow off-beat. Not only realistic West, which is quite unfamiliar to the world's population - even to a lot of Americans.
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