Quote

So many times you see beautiful lovemaking scenes with a lot of exposure or an awkward lovemaking scene, but I think it's very rare that you see it private.

Ang Lee

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Ang Lee
Age: 70
Born: 1954
Born: October 23
Film Director
Film Producer
Screenwriter
Writer
Cháozhōu Zhèn
Lǐ Ān
Private
Scene
Times
Beautiful
Lovemaking
Many
Exposure
Think
Awkward
Thinking
Scenes
Rare

More quotes by Ang Lee

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I think each movie-making process is a very exhausting and satisfying and fulfilling experience for me.
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I like to think I'm un-categorisable.
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The woman's perspective is like the dark side of the moon: it always exists, but it is never exposed, at least not in my culture.
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I'm not a romantic. In life I didn't have much experience with romance.
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I look at American movies, the big muscles, and try to apply that to Chinese film-making.
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San Francisco is one of my favourite cities in the world...I would probably rank it at the top or near the top. It's small but photogenic and has layers...You never have problems finding great angles that people have never done.
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It's not a pleasure torturing actors, although some of them enjoy it.
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If the movie is quiet I generally feel the audience is busy. That's when they're working.
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Making a martial arts film in English to me is the same as John Wayne speaking Chinese in a western.
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With 3D you're right there immersed in the world.
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I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.
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It's just what I am. When I am in the zone making one movie, I just didn't want to read anything else or do anything else, so I don't really develop projects.
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After making several tragic movies in a row, I was looking to do a comedy, and one without cynicism.
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When something possesses me, I go ahead and do it.
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Sometimes, you have to get angry to get things done.
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First we pre-visualized it [the flying fish scene in 'Life of Pi'] so the actors could act. It took a long time to get that to come to life and to design those coming out of the screen. We had great fun with that. It takes a long time, a year maybe.
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I don't like to deal with studios. I don't like to have conversations with executives. I pitch to the studio, then never talk to them until the test screening.
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The thing we call critics are not really reviewers, they are not really critics. They don't have the discipline to write what we would term as critique - it's really just reviewers. They have a common man kind of taste. If you watch them overall, they are not different from the box-office. That's my view.
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When I have a full schedule like that, I don't see myself sitting there for a couple of months, doing the research, going through a painful process, it's just not my thing anymore.
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My cultural roots are something illusive.
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